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</html>";s:4:"text";s:19275:"This blog is very obscure and I am surprised by the large number of visits to this post alone. Rian Johnson���s Looper did well both with critics and at the box office back in 2012, but it���s since come under fire from film buffs who take issue with its plot ��� including its twist ending. I imagine someone saw this and linked it on some forum. His death gets her out of the police’s sights. Jean-Pierre Melville involves us in the spell of "Le Samourai" (1967) before a word is spoken. We break down the most confusing movie endings of all time ��� including an explanation of what happened after the credits rolled. Netflix���s French miniseries The Chalet is full of surprises; from the twisty layering of timelines to the morally ambiguous characters, you never ��� Sometimes I confuse myself. "The American" allows George Clooney to play a man as starkly defined as a samurai. Voir plus d'idées sur le thème guerrier samouraï, art samouraï, japon. Le Samourai is as efficient a piece of cinema as it is darkly romantic. Books, movies, food, and random thoughts in English and Chinese. The line talks about that you never know how things will turn. I just wanted to offer one thought. I watched Le Samurai earlier today and have been thinking a lot about the ending. Le Samouraï (French pronunciation: [l�� sa.mu.��a.i]; lit. Le Samouraï (1967) Plot Synopsis WARNING: Spoilers Alain Delon stars, as Jeff Costello is an assassin who lives a solitary life with no friends. The narrator���s made it out of the His fatal flaw, as it must be for any samurai, is love. They would deduce this from the fact he returned to 'kill her', only to find he had no intention and would raise suspicions as to why he did so. She then decided to use him again to kill her husband. 29 août 2018 - Explorez le tableau « Samouraï » de Michel Sérié, auquel 219 utilisateurs de Pinterest sont abonnés. Jean-Pierre Melville (1917-1973) directed thirteen feature films between 1947 and 1972, most of them ranking among the best in postwar French cinema. There were multiple scenes in which several men sit and discuss what to do with Jef and his contract, involving 1) the middleman who tries to kill Jef and then gives him a new contract, 2) the bartender at the nightclub, and 3) the man who is killed in that house, where the singer also lives. I am in no means saying this is correct, and more than anything I'd like you to pick holes in this theory so I can set it straight myself. Le Samourai presents us with an utterly compelling, totally self-contained universe. Now, at the end of Le Samourai, it is revealed that Jef Costello had emptied the bullets from his gun before entering the nightclub, meaning he didn't intend to kill the pianist as we thought. May I ask you how you happened upon my article? Warning: This article contains major SPOILERS for Ready Or Not. Sunday, December 29, 2019 The Ending of Le Samourai (1967), Explained A quick online search after watching Jean-Pierre Melville's Le Samourai confirmed my suspicion: The plot is very rarely understood by English-language critics. Directed by Jean-Pierre Melville. The film could have been made by any director. Thank you for trying to shed some light on the relationships between the characters and the plot, particularly regarding the pianist. This sets it apart for me from any other type of film in this genre. Le Samourai��� 1. I loved the way it was set in an almost fictional world, where reality met surrealism. Ending Explained: Time Ruins Everything This is something we hear right at the beginning of the movie and see right at the end. 2. Did you notice any Again, this feels rather finale-esque, and it's obvious that Madeleine will be an integral part of the proceedings, especially after the discovery of her parentage in the season finale. We know from the start scene she is in love with Costello (or that's how it seemed to me) when she says how she enjoys Costello asking her to cover for him as it makes her feel needed. The evidence does stack in favour of your theory.In order to find your post, I simply googled ‘discussion on the ending of Le Samouraï’ and it was one of the search results. Absolutely fantastic film. Samurai (箴�, / �� s æ m �� r a肘 /) were the hereditary military nobility and officer caste of medieval and early-modern Japan from the 12th century to their abolition in the 1870s. Yes, that is a good insight. What is he like? This is because Melville did more than tell a great story in Le Samourai, he crafted a stylistic, nuanced, and hip approach to the crime film, one ��� ��������若��!!! The film employs many numerous palettes, patterns, and places, not only to foster a convincing sense of scale and movement���the film is never static���but to reinforce the dichotomy of cop and criminal. I was glad to find something helped piece everything together. But while Taxi Driver is a cinematic masterpiece that's just as relevant today as it was over 40 years ago, the ending of the film has sparked quite a bit of debate. Also, note the last scene with the auto license changer. He tells his girlfriend that he’ll fix everything. Not a half-bad combination. Le Samourai (1967) **** The film opens to the semi-annoying sound of a small birds chirp in a dull, grey room that appears to be empty. '"The Samurai"', is a 1967 neo-noir crime film written and directed by Jean-Pierre Melville. He is a hired killer, yet he is a last emblem of honor in a shabby world of compromise. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features What is this film���s point of view? I've read a couple of things about what it means but most of them didn't sit right with how it came across to me. Or maybe the second job was in fact killing the pianist’s lover, and the only way to do it properly as in protecting the client (after all a Samurai is to some extent a bodyguard) was to let himself be killed by the coppers, and no one will ever shed light into the case again. Describe Jeff Castello. After a moment we realize the room is not empty - a man lights a cigarette lying on his bed 3. Now this is the first time I've seen this film so if I've missed anything I do apologise, but it would be good to hear your thoughts on the end and what you thought it meant. There is a lengthy scene in the film in which the commissioner tries to bribe Costello's lover, Jane, into admitting she lied about his whereabouts the night of the murder. His subtle performance is full of staring eyes, quick looks, and fast movements. I don't think it's possible for her to be the person ordering all the killings. Even Roger Ebert's Great Movie Review and Criterion's essay by David Thomson appear to have entirely missed the point. Wouldn’t we think that scene was included for us to look over later to realize that his death is what he meant? For the most part, there is no sign of Kurosawa's genius. How does the film tell us this? What does he want? So he is also releasing his lover from all the troubles he has caused her. The way it came across to me was that he did that to lure the police to that location, kill him and then find his gun empty and draw suspicions to the pianist and that it was the her who had perverted the course of justice in the case against him killing Martey the night club owner. La Revolution ending explained Episode 8 of La Revolution Netflix opens with Marie being introduced as Donatien's bait along with a warning, while everyone else is ready for an all-out fight. I thought she had maybe saved Jef from being arrested, so that he didn’t give the police any information but then wanted him killed, as he knew too much. Note: contains spoilers for The Man In The High Castle seasons one to four Concluding a show that plays with the idea of an infinite number of parallel realities is a tough ask. He does it with light: a cold light, like dawn on an ugly day. Who is the character we are supposed to sympathize with? And color: grays and blues. Thanks for the comment. Now, at the end of Le Samourai, it is revealed that Jef Costello had emptied the bullets from his gun before entering the nightclub, meaning he didn't intend to kill the pianist as we thought. (the great feudal landholders). His pronouncement that this is the last time and the samurai's acquiescence is certainly a foreshadowing of his death,, of his intention to end his own life. The film follows a professional hitman named Jef Costello who is seen by witnesses and his efforts to provide himself an alibi that drive him further into a corner. He is a man who believes in tiny adjustments to the perfect shadow cast by the brim of his hat, who exults in the flatness with which he can utter a line, and who aspires to the last lovely funeral of brushes on a drummer���s cymbal. He actually goes out and buys bird feed (I mean, we don���t see him do this, but he must.) And in one alarming An austere poem of crime, Le Samourai manages to have a grip of an old-fashioned potboiler as well. The ending is just stupid, with the insane antagonist wielding a blade above Sugata's dreaming head, ready to strike. I think these scenes are sufficient to establish that the husband has ordered all the killings. I was trying to find something similar online but couldn’t find anything that discussed this point. 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