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</html>";s:4:"text";s:11093:"(The young John Coltrane was one of his sidemen). It’s so true but blues had more than one baby! He then joined Lionel Hampton’s band, fitting seamlessly into Jacquet’s “Flying Home” shoes, so that Hampton rerecorded the number with Cobb playing the famous solo. He was greatly influenced by the first wave of R&B/Blues saxophone players from the 40’s and early 50’s. Shake, Rattle and Roll (Fats Domino live). Some who are listed here below….most notably King Curtis. Another Floridian, Noble went to school with Cannonball Adderley. So much so that his successors in the Hampton band played the solo note for note. More or less retired in the 60s, he was rediscovered and given a new lease of life by the Flashcats in the 80s. I have included Junior Walker as he was around and out there gigging in the mid 50s as a very young man. Willis Jackson was another one of those R&B/Blues/Jazz improvisors who borrowed a lot from Illinois Jacket. His singing career started when, as a sideman with Lucky Millinder, Wynonie Harris didn’t show and Jackson was quickly pushed to the front of the stage to take care of vocals. Roger is best known as baritone player with Fats Domino where he was part of the legendary New Orleans sax section with Lee Allen and Herb Hardesty, and more recently with the Dirty Dozen Brass Band. The above video examples are taken from my How To Play Killer Blues & Rockin’ Sax Solos With 7 Notes Or Less course. Another New Orleans saxman, Harold became more of a leading light as a producer, composer and arranger with credits that include Lee Dorsey, Joe Jones, Sonny & Cher and, importantly, was responsible for transforming guitarist Mac Rebennack into Dr. John. – Art Blakey. He had a smash no.1 hit in 1949 with The Hucklebuck, bringing about one of the first R & B commercial successes. His playing is firmly rooted in the swing era, which he seamlessly adapted to his own brand of Rhythm & blues boogie. Many of these guys were coming up in the 40’s when Jazz, R&B, Swing and Jump Blues were the thing. Like many Los Angeles R & B tenor players, Jackie paid his dues playing with the likes of Roy Milton and Johnny Otis. Vinson came by his nickname “Cleanhead” when he lost his hair in a hairdressing accident. Born in Oklahoma, Hal was a stalwart of the Jay McShann Orchestra and now lives in Paris. musicians with severe loss of income due to COVID-19, All about Pete, biography, credits, press discography, Albums, music composed for TV, film, radio & games, FAQs. Whereas Plas Johnson had a more typical rock and roll saxophone sound, Lee’s was very much his own unique sound. There is a rumour that when David Lee Roth covered his famous arrangement of Just a Gigolo, Sam he never forgave him for not paying for it. I’ve covered several of his tunes and they’re all available in the Music section on the site here. This guy was a HUGE influencer. After signing to Aladdin, he also began to pick up session work with the likes of Amos Milburn, Charles Brown and Peppermint Harris. In 1971 he was still quite active and was part of the Marvin Gaye sessions which produced the songs Mercy Mercy Me and What’s Going On, both featuring Moore on sax. The first and most famous was “The Deacon’s Hop” which there a sample of below. We respect your privacy. He had records under his own name along with some hits on the R&B charts. He paid his dues in Lionel Hampton’s band, where he learnt his skill as an arranger. Always a big figure on the new Orleans funk and R & B scene he formed AFO Records with Harold Battiste (see below) and featured with the likes of Dr. John, Aaron Neville and Lee Dorsey. For more see SOTW. West Coast alto and baritone player Jackson was the driving force behind Joe Liggins’ big hit The Honeydripper. If you want to improvise in any blues-based type of music concentrate on these scales: Any, or each of these can be used on it’s own, or in conjunction with one of the others in any blues-based music such as rock, pop funk, jazz etc. When we talk about blues saxophone players we’re usually referring to the... Illinios Jacquet. In spired by King Curtis’s tight articulation on the Coasters’ hit Yakey Yak, Boots’s Yakety Sax is one of the world’s best known saxophone tunes, possibly in most cases as the Benny Hill theme, however we also hear his work every year on Brenda Lee’s Rocking Around the Christmas Tree. He was on many recording dates, including Billie Holiday. Later, as a session player, Kelso frequently subbed for Plas Johnson, his sound being very similar. He is known amongst R & B fans for his hit Cornbread, which shows his skill in making a statement with just one note and a few choice typical jump jive dance phrases, yet Hal is also an accomplished jazz musician who worked with jazz luminaries such as Roy Eldridge and Coleman Hawkins. Subscribe to our email newsletter today to receive updates on the latest news, tutorials and special offers! He did the almost obligatory stint with Lionel Hampton, then married and recorded with Dinah Washington Later on he moved to New York and worked with Count Basie and then the Harlem Blues and Jazz Band. Similar topics which may be of interest to you: Saxophone Solos – Saxophone solos from hit songs all using the 5 note pentatonic scale exclusively. Paul went on to be James Brown’s musical director. He definitely had his own style with a strong sound that could really wail and scream. Firmly into how we think of an R & B/Blues/Jazz improvisors who borrowed a lot from Jacket! 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