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class="site-info"> <div class="site-info-inner"> <div class="site-info-text"> 2020 {{ keyword }} </div> </div> </div> </div> </div> </body> </html>";s:4:"text";s:13342:"Since then I have been supporting Mojave with praise. DISTORTION:< 1% @ 117 dB SPL , < 3% @ 125 dB SPL with pad off, < 1% @ 132 dB SPL, < 3% @ 140 dB SPL with pad on, SELF NOISE: 14db nominal, not to exceed 16db (A Weighted). Use anywhere you would use a large diaphragm tube microphone. TRANSDUCER TYPE: Externally polarized, pressure gradient capacitor - double diaphragm. Great mic! Glad to read your post above. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). The mic was released in 2010. Lives for gear . Based upon the widely accepted MA-200 designed by David Royer, the MA-300SN adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off. The MA-300 is a multipattern tube condenser — essentially, a multipattern version of the MA-200. The MA-300 is a multi-pattern large diaphragm, vacuum tube condenser microphone. The mic ships with its dual-voltage (115V/230V, 50/60Hz)power supply, a 16-foot 7-pin cable, an elastic shockmount, and an aluminum flight case. It captures high frequency content VERY well. The MA-300 microphone is capable of delivering superb performance and, with minimal care, will do so … Cheers! The capsule is a Chinese-made K67-type. Bass cut switch provides 6 dB per octave attenuation below 100 Hertz in "cut" setting. Self noise is a reasonable 14dB (A-weighted), while maximum SPL handling is quoted at 120dB, or 135dB with the 15dB pad engaged. Professional Audio Products | Studio Microphones. Anyways, to clarify for the rest - I asked whether my perception of the frequency response chart as 'abnormal compared to others' - whether this factor has any bearing on whether mics are premium sound quality or not. Congratulations on your purchase of a Mojave Audio MA-300 Multi-pattern Vacuum Tube Condenser Microphone. Based upon the widely accepted MA-200 designed by David Royer, the MA-300 adds a continuously variable pickup pattern selector, 15dB pad and a switchable bass roll-off. Mojave microphones are known for – at an entry level price – the MA-50 out performs well-known transformerless mics costing many times more. David Royer. Permalink: Mojave Audio MA-300. Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case. I do a lot of mobile/personal recording outside of the studio and can't always get my hands on our 200 when another engineer is doing a project or leaving one up for a few days. The two mics share a capsule, body, and basic amplifier circuit design. Professional Audio Products | Studio Microphones. The MA-100 is a small diaphragm, vacuum tube condenser microphone with interchangeable cardioid and omnidirectional capsules. MAXIMUM SPL: 120 dB with pad off, 135 dB with pad on. Share Quote. Mojave Audio MA-300 Multi-Pattern Tube Condenser Microphone. BASS CUT: 6 dB per octave below 100 hertz. Warmth? DISTORTION: < 1% @ 120 dB SPL , < 3% @ 134 dB SPL with pad off Transient response? Mojave Audio guarantees this product to be free from electrical and mechanical defects and will repair or replace defective components, or replace the microphone at Mojave Audio's option. Excellent company that stands behind everything they do. Remotely controlled, continuously variable polar pattern selector, Hand-selected 3-micron double diaphragm capsule. Mojave MA300 / MA301. Mojave MA300 / MA301. Share Quote. Bass cut switch provides 6 dB per octave attenuation below 100 Hertz in “cut” setting. FREQUENCY RESPONSE: 20 Hz to 20 KHZ, +/-3 dB at “flat” setting of bass cut switch. Mojave MA-300 SN B-Stock 0 B-Stock, Mojave MA-300 SN; Large diaphragm, vacuum tube condenser microphone; Polar Pattern: continuously variable from omnidirectional to figure eight; Frequency Response: 20Hz - 20kHz, ±3dB; 132 dB SP;, internal Hi-Pass Filter; internal -15dB Pad; Vacuum Tube: 5840 … Utilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved classic condenser microphones. Mojave mics have been making us … I wanted it to sound as close to the MA-200 as I could get. Utilizing hand-selected, double diaphragm 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-300 performs at a level reminiscent of some of the best loved classic condenser microphones. Hell, even the case is better. POLAR RESPONSE: Continuously variable from omnidirectional to figure-eight. The MA-300 was introduced at the AES show in San Francisco in November, 2010. Utilizing the same capsule as the MA-200 and MA-201fet, it handles the fastest transients with ease – even up to 140 dB. The MA-50 is the perfect microphone for pros and semi-pros alike. Check out their online videos. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). DISTORTION:< 1% @ 117 dB SPL , < 3% @ 125 dB SPL with pad off, < 1% @ 132 dB SPL, < 3% @ 140 dB SPL with pad on, SELF NOISE: 14db nominal, not to exceed 16db (A Weighted). DIAPHRAGM: 1-inch diameter, gold sputtered. The MA-300 has a -15dB pad. The MA-300 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones. The published frequency response plots show broad rises in the bass and upper mid-range either side of a dip at about 1kHz. but … I asked the question because I did not know. FREQUENCY RESPONSE: 20 Hz to 20 KHZ, +/-3 dB at “flat” setting of bass cut switch. The MA-300 has a high-pass filter. The MA-300SN is a multi-pattern large diaphragm, vacuum tube condenser microphone. Bass cut switch provides 6 dB per octave attenuation below 100 Hertz in “cut” setting; SENSITIVITY: -40.5 dB, re. Coupled with the mic’s ability to withstand high SPL, this prompts Mojave Audio staff to describe the MA-100 as an “SM57 on steroids.” The mic can be used on snare drums and guitar cabinets, much like the SM57. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). The MA-300 is now a first-pick choice for the “scratch” vocals, which means it ends up being used for the re-singing on the overdubs! Your MA-300 was carefully designed and constructed using only the finest materials. BASS CUT: 6 dB per octave below 100 hertz. The MA-300 got quite a workout that day, and we liked all the vocals we recorded, as did the performers. It'll primarily be used on acoustic guitars and vocals. The MA-300 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). The frequency response plot of the Cardioid capsule reveals a ~6dB boost around 5.5kHz. I bought a ma300 and I’m just not happy with it. Hey guys, I work at a small studio and one of our favorite mics is our MA200. Each MA-300 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case. Remotely controlled, continuously variable polar pattern selector, Hand-selected 3-micron double diaphragm capsule. Use anywhere you would use a large diaphragm tube microphone. 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