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/(trident|msie)/i.test(navigator.userAgent)&&document.getElementById&&window.addEventListener&&window.addEventListener("hashchange",(function(){var t,e=location.hash.substring(1);/^[A-z0-9_-]+$/.test(e)&&(t=document.getElementById(e))&&(/^(?:a|select|input|button|textarea)$/i.test(t.tagName)||(t.tabIndex=-1),t.focus())}),!1); </script> </body> </html> ";s:4:"text";s:28140:"PETER SIMPSON, Description: It is for faith that the men of old stand on record.' Particularly fascinated by the passages in which Paul, the Letter's reputed author, elucidates the nature of faith, McCahon first embarked upon the pair of images comprising The Testimony of Scripture: Hebrews II, 1979, posing the question 'and what is Faith?' You need to subscribe and then login prior to accessing restricted content. Now only the present work and no. Colin McCahon, Help, Necessary Protection, inscribed help, signed, dated Easter '73 and inscribed small bird flys in for heavens Protection at Muriwai I reach for my crayon and pick up a dead insect. The art of McCahon is prophetic and spiritual, and is widely recognized as such. Colin McCahon Online catalogue [www.mccahon.co.nz], cat. In the early summer the young are taught how to fly and swim and to gather their food. Moving to Nelson in 1939, Colin McCahon spent a decade in the area, where he and Toss Woollaston influenced each other's work. PROVENANCE: Gordon H. Brown, New Zealand, - gift from the artist Martin Browne Fine Art, Sydney Private collection, Sydney DIMENSIONS: 79.5 - 122.0 cm LITERATURE: Colin McCahon Online Catalogue, www.mccahon.co.nz, ref. 6 the victory of the crosses is rendered with a line of black 'x's rather than the Latin Cross employed previously; while finally, in no. Your email address or password is incorrect. Auction Closed. Later recalling his art from 1956 and 1957 McCahon said ‘I see I was right now in thinking the previous year [1956] as one of little painting and lots of drawing. Works by Colin McCahon sorted by artist surname viewing all 2 results (none ... Colin McCahon Clouds 5 1975 98.2018. NZD45,000 - NZD65,000. 21 (illus. COLIN McCAHON, (1919 - 1987, New Zealand), DANCE OF THE GANNETS, c.1976 - 1978, synthetic polymer paint on unstretched canvas SIGNED: inscribed lower centre right: DANCE OF THE GANNETS further inscribed: [illeg. Colin McCahon (New Zealand, 1919-1987) 'Untitled' Oil on paper 54 x 43 cm inc. frame, Estimate: 7, the last painting of the series, the hope offered by the Latin Cross has been completely extinguished, the crosses here appearing in black against a black background while victory lies with the noughts. NZD1,500 - NZD2,500, Description: PROVENANCE PROVENANCE 4 Colin McCahon: A question of faith, p. 160. Rather it is the existential situation that emerges from the artist's response to this impetus - his reflection distilled through the alchemy of time, memory and recollection - that is immortalised in the sublime incarnations constituting his remarkable legacy. E23, init.i.d.1974 hessian Oil Painting (25x35in). Reed, Wellington, 1984, p. 1664. TITIRANGI, 1957 Description: How are they spiritual? Titirangi, 1956 – 57 (collection of Auckland Art Gallery Toi o Tāmaki).2 These works are arrayed along a spectrum ranging from simple realism at one end to complete abstraction at the other. 2. signed, dated and titled lower left: PAUL TO HEBREWS. probably: It is art used to give the conflict of faith and doubt coherence of thought, effort and expression in its most positive form...’7 1. 4 of a series of 12' There were twelve works in this series. Skip to Main Content. 254 – 255 pencil on paper, Estimate: Colin McCahon (New Zealand, 1919-1987) Landscape Multiple No. NZD50,000 - NZD70,000, Description: Colin McCahon Seaweed on the Beach synthetic polymer paint on paper mounted onto board title inscribed, signed and dated Feb - Aug '72, and inscribed Taitimu Tangi Muriwai, Estimate: 152, 187 Colin McCahon Online Catalogue, www.mccahon.co.nz, ref. NZD30,000 - NZD40,000, Description: FEB. '80. Waterfall, 1964 Sale Date: August 17, 2020. … NZD40,000 - NZD60,000, Description: All Rights Reserved. 3. signed, dated and titled lower left: PAUL TO HEBREWS. Collection. Description: C. McC. 4), Estimate: Running counter to this pattern are concave and convex shapes at upper left and right – which might be read as clouds or the profiles of kauri trees – and a horizontal and vertical form at lower right, constituting a rough square which might be read as a building. With early highlights by Colin McCahon, a trio of 60s works by Robin White, Don Binney & Michael Smither and further highlights by Peter McIntyre, Toss Woollaston, Raymond Ching and Ralph Hotere. With the texts reproduced here not following the Bible sequence but rather, specifically selected by McCahon to accentuate his purpose, indeed the work seems to gently reassure the viewer that only through conflict and affliction may our existence be truly enhanced and enlightened. COLIN McCAHON, (1919 - 1987, New Zealand), GANNETS LEAVING MURIWAI, c.1976 - 1978, synthetic polymer paint on unstretched canvas SIGNED: inscribed upper right: GANNETS LEAVING MURIWAI further inscribed: he who makes his - angels winds, - and his minister - a fiery flame. Available for sale from Gow Langsford Gallery, Colin McCahon, B1 (1973), Synthetic polymer paint on unstretched jute canvas, 915 × 221 cm The deciphering of Painting, 1956 with its floating shapes, strong linear divisions and flash of red is not straight forward. Derived from Hebrews 1:7 (in turn quoted from Psalm 104:4), the line of Gannets Leaving Muriwai (‘He who makes his angels winds, and his ministers a fiery flame’) significantly also appears in the lower right hand corner of A Painting for Uncle Frank, 1980 – a work dedicated to the memory of the itinerant, uncompromising preacher who was the uncle of the artist’s friend Toss Woollaston, and under whose influence Woollaston and McCahon ‘made a sort of vow together to devote ourselves to God.’6 The verse, together with the line from Hebrews 1:8 included in Dance of the Gannets (‘Thy throne O God is, for ever and ever, and the sceptre of justice is the sceptre of His Kingdom’), similarly features in the epic three-paneled work Paul to the Hebrews, 1980 – arguably one of McCahon’s most compelling and sophisticated investigations of the sacred themes of faith and doubt, meaning and despair, life and death. Northland, April 59, Brush, ink on paper, Signed, inscribed & dated 1959, Estimate: £1,000 - £2,000, Description: / Insurance 20 gnsDIMENSIONS: 76.0 x 55.0 cmPROVENANCE: Harrods, London, abandoned storage auctionPrivate collection, Queensland, acquired from the above c.1980EXHIBITED: Possibly: The Group Show, 1956, The Art Gallery Durham Street, Christchurch, New Zealand, 3 November – 18 November 1956, cat. A Colin McCahon painting which sold for a record $1.35 million will join the buyer's personal collection, but may be shown in public in the near future. International Art Centre invites entries for the first IMPORTANT & RARE ART auction of 2021. cm001171PROVENANCE: Peter McLeavey Gallery, Wellington Private collection, New Zealand, acquired from the above in 1978 Peter McLeavey Gallery, Wellington Private collection, Brisbane, acquired from the above in 2001One of the great masters of twentieth century painting, Colin McCahon is widely revered for his prophetic vision which imbues the vernacular with universal significance to powerfully interrogate sacred questions of faith and doubt, life and death, meaning and despair. AUD180,000 - AUD240,000, Description: Description: Colin McCahon. ]hy throne - God is for - ever and ever, and the /sceptre of justice is the - sceptre of His Kingdom DIMENSIONS: 79.5 - 122.0 cm PROVENANCE: Gordon H. Brown, New Zealand, - gift from the artist Martin Browne Fine Art, Sydney Private collection, Sydney LITERATURE: Colin McCahon Online Catalogue, www.mccahon.co.nz, ref. Others with a similar degree of abstraction included EXHIBITED Find the latest shows, biography, and artworks for sale by Colin McCahon. Colin McCahon Untitled signed and dated '67 270mm x 210mm. I came to grips with the kauri and turned him in all his splendour into a symbol.’1 By early 1954, McCahon, then living in Auckland, had become a permanent member of the staff at the Auckland City Art Gallery, involved in curating exhibitions, writing catalogues and teaching. More generally, the text alludes to His indulgence and everlasting protection in an essentially positive way, and as such, Dance of the Gannets and Gannets Leaving Muriwai are noteworthy within the closing chapter of McCahon’s oeuvre for the vestiges of hope they still contain. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Please enter a valid email address (name@host.com), Lot 1: Colin McCahon Night Fishing, French Bay cardboard, Lot 7: Colin McCahon (New Zealand, 1919-1987), Lot 11: Colin McCahon (New Zealander, 1919-1987), Lot 16: Colin McCahon Northland brush and ink on paper, Lot 18: COLIN MCCAHON, Northland, April 59, Lot 21: Colin McCahon (New Zealand, 1919-1987), Lot 24: COLIN McCAHON, (1919 - 1987, New Zealand), PAUL TO HEBREWS, 1980, synthetic polymer paint on Steinbach paper, Lot 24: Colin McCahon (New Zealander, 1919-1987), Lot 24: COLIN MCCAHON, (New Zealand 1919 - 87), 15 Drawings - December '51 to May '52, Lot 25: COLIN McCAHON 1919 - 1987, New Zealand, NOUGHTS AND CROSSES, SERIES 2, NO. Location. NZD90,000 - NZD140,000, Description: Colin McCahon (Timaru 1919 - Auckland 1987, New Zealand) is the most extraordinary artist in the Southern Hemisphere and certainly the most ambitious and radical of his time. As one author astutely observes of his legacy, ‘…it is the existential situation that prevails… The viewer is asked to stand with the artist, in a situation where each person must decide the issue in their own way… It is a confession that, while it affects a solitary person, has become externalised and addressed to all. 146-147 (illus.) Colin McCahon There is Only One Direction 1919 – 1959, Auckland University Press, Auckland, New Zealand, 2019, pp. COLIN McCAHON, (1919 - 1987, New Zealand), PAUL TO HEBREWS, 1980, synthetic polymer paint on Steinbach paper SIGNED: 1. signed, dated and titled lower left: PAUL TO HEBREWS. AUD100,000 - AUD150,000, Description: Sale Date: September 1, 2020. Of these works McCahon commented: ‘In 1957 too, a great change in attitude to the Titirangi landscape … I came to grips with the kauri and turned him in all his splendour into a symbol’.4 Titirangi, 1957 highly since he chose it as one of the five works to represent his career to date (a kind of mini-retrospective) in the exhibition Estimate: NZD28,000 - NZD38,000, Description: Sketch, 1962, oil and pencil on paper, signed and dated l.r.c. 'He who made his angels winds'- inscribed lower right: 2. Mixed Media Painting ... Colin McCahon was born in Timaru in 1919. Auckland Christchurch Artist . Colin McCahon, 2 from the Numerals One to Five series, signed and dated 1959, Estimate: The Group Show, Durham Street Art Gallery, Christchurch, 2 - 17 November 1954. The first excerpt looks at McCahon's beginnings in Timaru and Dunedin, and his explorations of modernist techniques in paintings that reconceived 'the promised land' in … In the early summer the young are taught how to fly and swim and to gather their food. Born in Timaru, his early life was lived in Dunedin where he studied at the Technical College. Ray Hughes, Sydney, acquired from the above c.1987 LITERATURE McCahon, C., op.cit., 19715. Colin McCahon, Noughts and Crosses, Series 2, No. watercolour and gouache on paper cm000292 ESSAY:One of the great masters of twentieth century painting, Colin McCahon today remains widely revered for his prophetic vision which imbued the vernacular with universal significance to powerfully interrogate sacred questions of faith and doubt, life and death, meaning and despair. McCahon, C., quoted in i.verso synthetic polymer paint artist board Works on paper (14x11in). We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. LITERATURE Brown, G.H., Colin McCahon: Artist, A.H. & A.W. executed c.1947 ink dr Works on paper (8x10in). Art market auction sales from the 1970s to 2021 for 1,064 works by artist Colin John McCahon (1919-87), and values for over 18,000 other Australian and New Zealand artists. 3. signed McCahon, dated Jan 54 and inscribed Manukau 2 in brushpoint lower left Yet therein perhaps lies the enduring power, universality and poignant beauty of McCahon’s prophetic vision; the doubts and frailties that assail so many individuals constantly plagued him too. McCahon, C., in his statement for An exhibition of paintings by Colin McCahon, Dawsons Limited Exhibition Gallery, Dunedin, 1971, unpaginated2. Editorial. Yet the consistent and more even backdrop at this time comprised the semi-abstracted, faceted ‘cubist’ landscapes of Titirangi and French Bay and the Kauri subjects. Colin McCahon Small Landscape signed and dated '66 ; title inscribed, signed and dated '66 verso 315mm x 315mm, Estimate: NZD250,000 - NZD300,000, Description: The iconography of the ‘T’ and ‘I’ symbols was elucidated by Colin McCahon in his introduction to the catalogue accompanying the first exhibition of the ‘Necessary Protection’ series at Barry Lett Galleries, Auckland, November 19716. AUD15,000 - AUD25,000, Description: Estimate: Only the new owner does not have a McCahon - he or she has a defaced John Z Robinson. 'Jesus Falls a Second Time', Estimate: Estimate: NZD250,000 - NZD350,000, Description: COLIN MCCAHON (1919 - 1987) Two, Brush & ink on paper, Signed & dated 1959, 75 x 55cm, Estimate: Unequivocally bleak, dark and pessimistic, his final works – admonishments culminating in the so-called last painting I considered all the acts of oppression, 1980-82 – came to reflect rather the artist’s increasingly dispirited personal state and raging battle with mental illness, lamenting the futility of all human endeavour and suggesting a total collapse of faith in faith itself. 2, 1976, synthetic polymer paint on Steinbach paper, Lot 29: Colin McCahon Landscape Theme and Variations, Lot 29: Colin McCahon (New Zealander, 1919-1987), Lot 30: Colin McCahon (New Zealander, 1919-1987), Lot 31: COLIN MCCAHON (New Zealand 1919 - 1987) Help, Necessary Protection, Lot 32: COLIN MCCAHON (New Zealand 1919 - 1987) Two, Lot 36: Colin McCahon Seaweed on the Beach synthetic, Lot 41: COLIN McCAHON, (1919 – 1987, New Zealand), PAINTING, 1956, oil on cardboard, Lot 42: COLIN McCAHON, (1919 - 1987, New Zealand), DANCE OF THE GANNETS, c.1976 - 1978, synthetic polymer paint on unstretched canvas, Lot 43: COLIN McCAHON, (1919 - 1987, New Zealand), GANNETS LEAVING MURIWAI, c.1976 - 1978, synthetic polymer paint on unstretched canvas, Lot 49: COLIN McCAHON (1919-1987) Truth from the King Country - Load Bearing Structures 9 1958, Lot 86: COLIN MCCAHON - Northland Drawing, Lot 104: COLIN McCAHON (1919-1987, New Zealand), Fog and Sea, Muriwai 1973, Lot 108: Colin McCahon 1919 - 1987, NIGHT FISHING, FRENCH BAY, 1957 cardboard relief print, Lot 477: Colin McCahon (New Zealand, 1919-1987), 'Untitled', Lot 1: Colin McCahon James K Baxter, 4 Plays Two-colour, Lot 2: McCAHON, Colin (1919-1987, New Zealander), Lot 2: Colin McCahon 15 Drawings Bound lithographic, Lot 3: McCAHON, Colin (1919-1987, New Zealander). You must be a subscriber and logged in to view the prices and auction details. But how do we lay down rules for this sort of painting? Estimate: Colin McCahon Kurow Hill title inscribed, signed and dated 1972 215mm x 280mm, Estimate: The star turn of a premier Auckland art auction - a Colin McCahon … He was educated at the Dunedin School of Art and in 1937 enrolled part time at the King Edward College Technical Art School. Peter Simpson, Colin McCahon: The Titirangi Years, 1953-1959 (Auckland: Auckland University Press, 2008), 84; Marja Bloem and Martin Browne, Colin McCahon: A Question of Faith (Nelson: Craig Potton, 2002), 180. FEB. '80. These records can be browsed by title, date, collection and series. Thus, while the first panel reveals the displeasure of a judgmental God, the remaining two, Estimate: 9, 10, 11 McCahon, CSA Gallery, Christchurch, 6-25 September 1980 Colin McCahon: A Question of Faith, Stedelijk Museum, Amsterdam, 30 August-10 November 2002 LITERATURE: Bloem, M., and Browne, M., Colin McCahon: A Question of Faith, Craig Potton Publishing & Stedelijk Museum, Amsterdam, 2002, pp. COLIN McCAHON 1919 - 1987, New Zealand, NOUGHTS AND CROSSES, SERIES 2, NO. Description: NZD300,000 - NZD400,000, Description: AUD3,000 - AUD4,000, Description: In a similar vein, the strong T structure dominating many Muriwai compositions (including Gannets Leaving Muriwai) derives from the physical reality of the landscape - the dark landforms are immediately recognisable as the cliffs near Otakamiro Point, while the space between is the chasm which separates near-shore rock that is Motutara Island where the gannets nest – but more importantly, also symbolises the Tau or Old Testament cross commonly associated with Moses and his time in the wilderness. As with several themes from this decade influenced by the minutiae of the artist's daily life at Muriwai, the inspiration for the Noughts and Crosses series came to McCahon while watching his daughter Victoria play games of noughts and crosses with her young son Tui. Eight New Zealand Painters III at Auckland City Art Gallery in 1959. Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. Filter by auction house, media and more. Featuring many art prints by top NZ artists, including Rita Angus and more. This goes on in spite of our intrusions, the cliff top parties, the broken bottles, the paper and plastic everywhere…’2 And later, ‘I am not painting protest pictures, I am painting about what is still there and what I can see before the sky turns black with soot and the sea becomes a slowly heaving rubbish tip. inscribed verso in pencil: 58 Shelly Beach Rd inscribed verso in brushpoint: Colin McCahon / Art Gallery / Auckland / Painting June ‘ 56 / oil / N.F.S. 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