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Both France and the UK received more money through the Marshall plan then Germany, it wasn’t until the Eighties that we in the UK paid our debt off. I wholeheartedly agree it was the most conceptually ambitious German rock record of the 70s; if not entirely successful or cohesive as a rock opera, still it covers a lot of ground! Made in Germany is a music studio album recording by AMON DÜÜL II (Krautrock/Progressive Rock) released in 1975 on cd, lp / vinyl and/or cassette. Difficult though it is to describe a whole scene, with bands who have nothing in common musically and thematically. Our odd curio is given some gravitas from Weinzierl and his strung out haunting guitar strums before this short interruption abruptly ends and makes way for the big guns. In the style of a shock jock US radio interview, a rambling 80 syllables a second ranter puts across questions to Hitler as though he was questioning the leader of some band. Ludwig II of Bavaria was brought up in a privileged world and he inherited his father’s exuberance for fantasy and myth. Never again would we hear Amon Duul II in such a creative manner, complete sounding even if it is a move away from the improvised jams of yore. Mission Accomplished, Dominic! 2 responses to “Amon Duul Reviews Part Ten: Amon Duul II’s “Made in Germany”” Dave says : March 6, 2015 at 7:11 pm. ( Log Out / I have no idea where I checked this, but I’m positive it was from the band themselves. ( Log Out / He saw this as a wake up call, not for reforms but a militarised state: ring any bells! ‘Three Eyed Overdrive’ is another one of those instrumental interludes, which features more haunting synths and organs. The Cyrcle - Red Rubber Ball (Columbia, 1966), Sergio Mendez & Brasil '77 - Pais Tropical (1971), D. B. M. & T. - Mr. President / Frisco Annie (1970). In both the US and UK a compressed single LP version (see track list) was released. It does make me laugh when other critics band around the term to describe a sound. The photo was taken by a famous American commercial photographer named Richard Noble, and the U.S. version was art directed by Atlantic’s creative director Bob Defrin. This Wagner evoking composition transcends his Ring Cycle stiffness and is instead an uproarious celebration of this inspired requiem that Amon Duul II have set sail on. I could be wrong of course. Yes I’m always uneasy about the ‘Krautrock’ term, as I mention in the introduction to my series on the era. Both the aspirations and drugs are now replaced in the stars backstage with “compromised cocktails” lavishly bestowed upon our band by the new suit wearing management. Not wishing to take advice from his ministers he threatened them with being removed. As the last galactic charging rhythms and effects fade out ‘Excessive Spray’ draws this grand opus to a close. When Amon Duul II first hit the German music scene of the 1970s, they weren't even the first band to be named Amon Duul. Renate and Karrer sing in unison as they lampoon their own route from space rock troubadours playing music from another dimension to the more structured ambitions of recent years. Although none of the songs I’ve heard by I Drive have a singer with a German accent, I’m willing to bet it was he who does most of the singing on MIG. Even though his generation had seen the horrendous fall-out from the former regime and reacted to it by pushing the leftist antidote forward, they were still envisaged as the bad guys. New boy Nando Tischer became a fully ingrained member of the band, playing guitars and singing as well as composing some of the songs. I remember at the time when researching, there was bugger all info on Nando, and not much forthcoming from anyone else. A chiming melody and a crunchy wah wah effects driven guitar gives this song an almost rock disco feel, whilst Peter Leopold lets loose on the cymbals that end in another AD II proto-eruption. It is remarkable how little info was available in 2007; hence why I directly sort help from the band themselves. Keep in touch and let me know how it’s coming along. It’s sort of a given that when you listen to them, you’re not exactly listening to the Beach Boys! The second part of the album starts with the country rock inspired buoyant jaunt of ‘Wide-Angle’. Once the ink dried, Korduletsch immediately pushed the band straight into the studio: these hastily orchestrated sessions would become the backbone of their next release Hi-Jack. ( Log Out / It was at this point that Atlantic records came calling offering a deal to release the band’s music in the states; though they would also release the LPs under the ATCO division in the US and Canada. Boy…Neil you have been busy. Change ), You are commenting using your Twitter account. Next up is the three-part story arc suite of poor old King Ludwig, a much maligned and ridiculed figure from German history. Bismarck was to act as his man on the inside and to be sympathetic to the King’s views but this gave way to him taking on most of the decisions and led to him gaining most of the real power. Falk’s synth has its last say with some Gothic pretensions, whilst we feel a sudden sadness loom over the horizon. Karrer seems to have a few problems with singing this track, as he almost goes out of tune with some of the lines. This had the band’s Teutonic siren Renate Knaup dolled up to look like Marlene Dietrich from the movie ‘The Blue Angel’; she has an alluring but contemptuous gaze as she straddles a chair in true Cabaret style. Anyway always humble enough to admit if I’m wrong. By no way am I the fountain spring of all knowledge, and this was meant to be both an informative but passionate survey of the band’s ambitious opus. Wilhelm had fought against Napoleon in his youth and went onto to rule the kingdom of Prussia before eventually brow beating all the separate states, of what was to become Germany, into an eventual unification. Formed in 1968 in Munich, Germany - Disbanded in 1981 - Reunited on several ocasions AMON DÜÜL II (or AMON DÜÜL 2) was born of an artistic and political community called AMON DÜÜL (which recorded during the late sixties a long live session made around collective and free musical improvisations). (The other band, simply called Amon Duul, would not reach major success.) In my mind they were every bit as original and inventive as Faust, Neu!, even Can to some extent. With lines like “might not be much fun, without any fans” they comment on their own situation within the industry and sound jaded and knocked about by the increasing lack of faith in what they are doing. Their 1975 studio release Made In Germany is a similar pinnacle of the genre, though frequently overlooked among their discography. Change ), You are commenting using your Facebook account. Following his late father’s building plan of extensive palaces and castles, he plunged his domain into bankruptcy. Also it was apparent to him that history itself was not moving on and that his fellow compatriots were still seen as the bogeyman of Europe. Though I hate bands who gabble on about their influences, Kasabian’s unexpected nod to Made In Germany may give it some attention, the richly deserved sort of attention that bands like Neu! 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