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</html>";s:4:"text";s:8782:"Le premier Saint Paul est réalisé à l'huile sur support de bois, mais le second est peint sur toile (le support privilégié du peintre lombard) ; il est possible que la première œuvre ait été refu… I like the use of tenebrism in this piece, as the use of lights and darks bring your eyes to different focal points around this painting. Change ), Amazing Art Exhibitions in Italy’s Finest Vino con Vista Cities | Vino Con Vista Italy Travel Guides and Events. N.p., 4 June 2014. The work I chose to write about was The Conversion of St. Paul, painted by Caravaggio. Unfortunately his violent temperament led to a self-imposed This painting in very different from other paintings of religious scenes. But Caravaggio’s theatrical lighting also conveys the self-revelation of a God who both incarnate and transcendent, and always beyond our capacity to know him fully. His paintings represent the very essence of the Baroque Era and the emphasized portrayal of the Bible by the Catholic Church. By showing the horse at an angle he provides a sense of depth in what would otherwise be flat darkness and gives credibility to the extremely foreshortened body of St Paul. http://smarthistory.khanacademy.org/caravaggio.html, http://www.nga.gov/content/ngaweb/Collection/art-object-page.54386.html. Calling of St Matthew (1599-1600) Contarelli Chapel, San Luigi. This was a counter to the Protestant reformation and the stringent nature of the Protestant religion. Interpretation of Baroque Biblical Caravaggio’s style encompasses naturalism often injected into religious topics, unidealized figures, and most of all dramatic lighting (his is best known for his effective and masterful use of tenebrism, the extreme use of lights and darks for dramatic effect). Supper marked a complete break from Mannerism He placed Paul on his back in a pool of light, just after having been struck from his horse by a divine thunderbolt. I think that because he was asked to make these two paintings depicting the same story for a chapel in France, so that’s probably where he painted it. But, as you so perfectly said it as you look closer more and more things jump out at you. The Conversion on the Way to Damascus was one of two paintings commissioned by Monsignor Tiberio Cerasi (1544-1601), treasurer to Pope Clement VIII (reigned 1592-1605) for his chapel in the church of Santa Maria del Popolo, in Rome. <http://en.wikipedia.org/wiki/The_Conversion_of_Saint_Paul_(Caravaggio)>. Thanks for including some background info as to where Caravaggio learned his techniques from and how he was trained. N.p., n.d. The scenes from the life of St Matthew in Rome’s San Luigi Francesi made Caravaggio famous. Caravaggio biographer Helen Langdon describes the style of Conversion as "an odd blend of Raphael and clumsy rustic realism," but notes how the composition, with its jagged shapes and irrational light which licks out details for their dramatic impact, creates "a sense of crisis and dislocation [in which] Christ disrupts the mundane world.". According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. ( Log Out / Amor Conversion of St Paul by Caravaggio 2.3 x 1.8 m. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. This painting is showing “the moment when Saul (later to be renamed Paul) is on the road to Damascus to carry out a persecution of the young Christian community. The choice of two key scenes from the lives of St Peter and St Paul was hardly a surprising for a Roman side-chapel. Within months, the very eminent Tiberio Cerasi, Treasuer General under Clement VIII, commissioned him to paint St Paul’s conversion and St Peter’s crucifixion for the side walls of the chapel in th“e Augustinian Church of Santa Maria del Popolo for which he had acquired burial rights. Change ), You are commenting using your Google account. I agree with you completely in your opening that this piece, The Conversion of St. Paul, is a direct result of the Council of Trent’s propaganda and campaign in the Counter Reformation. In viewing The Conversion of St. Paul, I agree with your interpretation of the tangled legs. ( Log Out / Change ), You are commenting using your Twitter account. Saul has been flung off off his horse. Zurbaran (1598-1664). Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Baglione states that the first versions of both paintings were taken by Cardinal Giacomo Sannessio, but another early writer, Giulio Mancini, says that Sannessio's paintings were copies. Nevertheless, most scholars are satisfied that this is the first version of the Conversion of Paul. A-Level: Caravaggio, The Conversion of St. Paul (or The Conversion of Saul) by Dr. Beth Harris and Dr. Steven Zucker Caravaggio, The Conversion of St. Paul (also known as The Conversion of Saul ), c. 1601, oil on canvas, 230 x 175 cm (Cerasi Chapel, Santa Maria del Popolo, Rome) The Catholic Chaplaincy is also a parish of the Archdiocese of St Andrews and Edinburgh (the Parish of St Albert the Great) and all Catholic students and staff are automatically members of this parish. Web. I was just searching the web for a link that went more in depth about Caravaggio’s life, and what do you know I found!? (Conversione di San Paolo) illustrates the scene - described in Acts of N.p., 2 Feb. 2004. These works - both of which How to Appreciate Paintings. Artist: Caravaggio Caravaggio treated both themes with extreme austerity and simplicity. Saul, breathing murderous threats, full of self-importance thanks to his powerful backers in Jerusalem, is on his way to Damascus to carry on his violent campaign against the Christians (Acts 9). <http://www.bc.edu/bc_org/avp/cas/his/CoreArt/art/bar_cvggo_conv.html>. The Footprints of Jesus . In the account of the conversion in the Acts of the Apostles there is the journey, the blinding light, the fall to the ground and the voice saying: “Saul, Saul, why do you persecute me?” Companions are mentioned too. The principal actor lies in a dramatic 4 Oct. 2014. for the Contarelli Chapel helped him to secure additional commissions, ” This statement also supports the information I’d found earlier connecting Caravaggio’s work to artists and themes found in the renaissance. One fun fact to add about Caravaggio is that he was a glorified criminal. Meantime, Paul's sword and cloak are tangible The Conversion of Saul is believed to be done between 1542 and 1545. Explanation How are the mighty fallen! Caravaggio also applied different formal devices to enhance this religious scene. Then the horses head changes to such a dark brown, it almost fades into the darkness of the corner of the room, in the man’s hands, so my eyes stop focusing on the horse that’s now nearly a black color, and I find the man (Saul/Paul) laying on the ground. The Baroque Era is known for being full of movement and emotion and this piece is no exception. Further, I think it gives Caravaggio’s works a unique factor as the light plays on the figures marked with shadows, details, and expressions. https://www.khanacademy.org/.../baroque-art1/baroque-italy/v/caravaggio-saul converted into a Christian after Christ appeared and spoke to him on the The This Damascene conversion, which duly led to him adopting As for the aesthetics of the piece, I agree, Caravaggio excelled in tenebrous and did so here as well. I don’t know why they are all tangled together, as if maybe this was supposed to be a focal point of the piece also, but why would legs be something Caravaggio wanted to draw our attention to? Your sources were numerous and reliable, great job. painting, - much more conventional than the second version. But just as St Paul’s conversion was the defining moment of his life, one could argue that these two works mark a similar point in Caravaggio’s development as an artist. Analysis “Caravaggio: the Conversion of St. Paul.” Art And History. Towards the end of his life he even killed someone over a bet. First off this is a great piece that I would argue would attract a lot of attention due to its nature. Elsewhere Paul claims to have seen Christ during a vision, and it is on this basis that he grounds his claim be recognised as an Apostle: "Have I not seen Jesus Christ our Lord?" pose in the foreground of the picture (he actually intrudes into the viewer's Ribera (1591-1652) and Francisco ";s:7:"keyword";s:45:"the conversion of st paul caravaggio analysis";s:5:"links";s:3136:"<a href="http://digiprint.coding.al/site/page.php?tag=41e064-riverfront-property-for-sale-in-missouri">Riverfront Property For Sale In Missouri</a>,
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