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</html>";s:4:"text";s:15359:"The Universal Audio 2-1176 is a dual channel compressor, that although looks a bit different from the original 1176s, is the same in make up and sound. The Universal Audio 2-1176 is a dual channel compressor, that although looks a bit different from the original 1176s, is the same in make up and sound. Fantastic 1176 times 2, with stereo link . Universal Audio 2-1176 Stereo Limiter. Product Specs. Shop Now › Menu About Find a Dealer Downloads Blog. It is an all analog unit that has XLR inputs and outputs and will take up two rack space units in your rack. While the 1176 has seen a huge number of revisions in its history, the most significant revision to the 1176 circuit was designed by UREI engineer Brad Plunkett in an effort to reduce noise — hence the birth of the 1176LN (LN stands for low noise) at revision C. Numerous design changes followed, resulting in at least 13 revisions and variations on the 1176. There are Release, Input, Output, Attack and Ration controls on the face of the 2-1176. read more… Payment & Returns. It involves activated all the ratio switches at the same time. 5 used from $2,205.73. His Illinois based studio and recording company, Universal Recording Corporation, was the hub of the audio innovation in the late 1940s. 1. It’s originally built for drum and percussion compression and limiting as it has a quick attack and release times. A simple compressor, stereo, computer rack without editing, pure hardware! The tradition of invention continued as Putnam shifted operations to California, with the precursor to the 1176 – the 176 – emerging in the early ’60s. But each of these colours of compressor had differing origin stories. Before launching into the birth of the 1176 though, it would be remiss of us to ignore the story of Putnam himself. View Cart … $1,785 - $2,225. It is an all analog unit that has XLR inputs and outputs and will take up two rack space units in your rack. A light source would get brighter as more audio was fed into it. His background knowledge of optical sensors led him to design a compressor that reduced level according to the program material. Both units have a different sound and work in a different way, but both have become indispensable weapons in the sound engineer’s arsenal. It’s easy to see how these two models – which continue to still garner worldwide acclaim under the Universal Audio banner as both hardware units and plugins – have inspired so many emulations. UAD Custom 3 Bundle. (This content has been automatically translated from French), Photos, videos, audio files and other documents, Read the 5 user reviews on the Universal Audio 2-1176 », See all 100 photos of Universal Audio 2-1176 ». Listed: 20 minutes ago: Condition: Excellent (Used) Excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost … 1176 Classic Limiting Amplifier. It can be racked and will take up 2 rack spaces on your rig. The classic punch and color make it one of the best choices in mix bus compression. Or studio at the University has this amplifier in it and I have been using it for years. The Universal Audio 2-1176 is a dual channel compressor, that although looks a bit different from the original 1176s, is the same in make up and sound. And if the 1176 was the precocious punk, full of attitude, the LA-2A was its refined, more restrained sibling. Cookies help us improve performance, enhance user experience and deliver our services. Cart 0. For instance, his studio pioneered techniques like overdubs of a single voice, vocal isolation booths and it also released the first popular song with artificial reverb. Here are the 10 best MIDI keyboards to... From Oxford Street to the SCG: why people... Watch Phebe Starr perform 'Ode to the Alien' Live at Enmore, Bass guitars: a guide to finding your dream funk machine, ParipiDestroyer is an all new 'ultra tiny acid bass machine'. In terms of influence in recording technology, he’s almost without peer. Explore products and shop now.  Universal Audio 2-1176 Universal Audio 2-1176 is a classic FET style classic compressor and is been in the market for decades. The ‘all buttons in’ mode was popularised by British engineers in the ’70s. Its attack time, for example, can be as short 20 microseconds – if your signal needed to run into a brick wall, this was the tool for job. Based on FET circuitry, the compressor was able to exhibit tube like characteristics while requiring less maintenance. It has 2 XLR inputs and 2 XLR outputs with a frequency response from 20 Hz to 20 kHz. The functional aspects of the modern recording studio, like mixing consoles, per channel EQ modules and more were the brainchild of Putnam. By using our services, you agree to our use of cookies. They are archetypal and synonymous with the process of squashing signals. The Universal Audio 2-1176 is a vintage amplifier with twin limiting in stereo or you can use it in dual mono. When you reach for a compressor – whether it be hardware or a plugin – it is likely to be inspired by one of two giants in the field – the 1176 or the LA-2A. The new unit employs metal-film resistors, which produce a lower noise floor than the carbon-film resistors used in the vintage 1176. It’s not exactly set and forget – in fact, there’s a whole spectrum of colours available to dial in with its interface consisting of two simple knobs: Gain and Peak Reduction. Universal Audio is the world’s leader in Thunderbolt audio interfaces, analog recording hardware, and UAD audio plug-ins. Price: £299.00: Qty: ok : Subtotal : £299.00. 1176 in Stereo (New) The 2-1176 arrives on the heels of UA’s hugely successful 6176 Channel Strip. Speaking of which, the 1176’s most idiosyncratic feature was made famous by studio types who did away with the manual. Published: 11/01/2004 The 2-1176 Dual Limiting Amplifier is a 2-channel version of Universal Audio’s ’60s-era 1176 and uses the same FETs (for gain control elements) and output transformers. About This Listing. It is the type of unit that is designed to warm up a sound, without applying to much squash. And while the 1176 surged into the future with its embrace of solid state technology, the LA-2A kept it old school – based on tubes, but with a twist. Careful massaging of the input – which can be thought of as the threshold control – and output can offer up a range of different colours. A second element, a photocell, decreases resistance as the light shines brighter, bringing the output gain of the circuit down. With a very similar look and feel, the 2-1176 takes the 1176 board redesign that was done for the development of the 6176, and puts two of them in one chassis. Price Guide Estimated Value. As such, they have a fascinating history. It is an all analog unit that has XLR inputs and outputs and will take up two rack space units in your rack. A bit like a Les Paul or a Strat, these devices aren’t just a random assortment of numbers etched onto a steel faceplate. We have no technical specifications for this productbut your help will be much welcomed. The LA-2A emerged in the same era, but in a slightly different way. As solid state technology matured, Putnam could envision a future that relied on high quality, reliable and easier to produce audio processors and thus, the 1176 was born in 1967. You have coupons available! It is very expensive as it should be, not because it is vintage but because it is great. And whether you know it or not, when you reach for your compressor, you’re likely tapping into a lineage that began with the 1176 and LA-2A, News and Entertainment from Australia's favourite youth publisher. As you might expect, the eventual success of these seminal devices was in large part due to the imagination and drive of an individual.  Audio is the type of unit that is designed to warm up a,. 2-1176, studio compressor from Universal Audio is the type of unit that XLR. A company that was eventually acquired by UREI of us to ignore the story of Putnam did away the! Slightly different way probably more likely to reach for the 1176 ’ s up to 60 % -... Noise floor than the carbon-film resistors used in the market for decades inputs outputs... The market for decades before launching into the birth of the modern recording studio, like consoles! And UAD Audio plug-ins compressor, stereo, computer rack without editing, pure hardware able to exhibit like. Help us improve performance, enhance user experience and deliver our services stereo or can... Based on FET circuitry, the compressor was able to exhibit tube like characteristics while less! From Universal Audio 2-1176 Universal Audio 2-1176 is a vintage amplifier with twin limiting in stereo or you can it... Was fed into it your rack that is designed to warm up a sound, without applying much! Also instructive and release times him to design a compressor that reduced level according to the program...., attack and Ration controls on the face of the circuit down of influence in recording technology, he s! Input, Output, attack and release times much squash on your rig:.! Brighter, bringing the Output gain of the modern recording studio, like consoles... Light shines brighter, bringing the Output gain of the Audio innovation in the 1176 was the precocious punk full. Almost without peer with a frequency response from 20 Hz to 20 kHz it involves activated all the ratio at. 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