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</html>";s:4:"text";s:6633:"The image is in the Public Domain, and tagged Fear, Death in Art and Greek and Roman Mythology. From National Gallery of Art, Washington, D.C., El Greco, Laocoön (ca. Will the benevolent witnessing always the witnessing in Greco's art! the fangs in those poor bodies. El Greco's use of Toledo as the backdrop for his depiction of Laocoön's death may be based on local folklore that the people of Toledo descended from the Trojans. El Greco places the classical subject against a gloomy view of Toledo. Laocoön's death is the subject of a famous monumental Hellenistic sculpture, known as Laocoön and His Sons. One son lies dead behind him. After its rediscovery during the Renaissance, it regained its exalted reputation, inspiring Gotthold Lessing’s famous essay on art, Laocoon (1766). El Greco, Christ Cleansing the Temple, probably before 1570, oil on panel, Samuel H. Kress Collection, 1957.14.4. Thus, while preparing to sacrifice a bull on the altar of the god Poseidon (a task that had fallen to him by lot), Laocoön and his twin sons, Antiphas and Thymbraeus (also called Melanthus), were crushed to death by two great sea serpents, Porces and Chariboea (or Curissia or Periboea), sent by Apollo. Legenda wspomina o Laokoonie, kapłanie boga Neptuna, który jako jedyny ostrzegał Trojańczyków przed przyjęciem daru Greków – konia trojańskiego, mówiąc: Boję się Greków i ich darów. 4th St and Constitution Ave NW And yet an ardent unity permeates the whole painting: the two divinities W 1969 roku historyk A.W. Sprawled against the foreshortened, dead body of one of his sons, Laocoön clings to life as a serpent bites his head. Pośrodku płótna widać sylwetkę konia, mającego symbolizować konia trojańskiego. Postać na pierwszym planie trzyma w dłoni jabłko, co sugeruje, iż miały to być postacie Heleny i Parysa[2]. Podobizna Laokoona jest tą samą, jaką ma św. On the left, Laocoön's standing son contorts in pain, writhing as a serpent swoops in towards his abdomen. Their bodies are unnaturally elongated and distorted, appearing almost to be engaged in a strange dance. We do not know whether the fallen youth is mortally wounded by the serpent, or already dead. In July 1577 the artist arrived in Toledo, where he quickly came in contact with a circle of learned churchmen who appreciated his work. [7] The chaos and spiritual uncertainty of the era caused Mannerist painters to reject the balance and proportionality of High Renaissance artists like Michelangelo and instead portray elongated figures. . Updates? [1] Although inspired by the recently discovered monumental Hellenistic sculpture Laocoön and His Sons in Rome, Laocoön is a product of Mannerism, an artistic movement originating in Italy during the 16th century that countered the artistic ideals of the Renaissance. Laocoön's tale appears in many of the numerous classical texts concerning the Trojan War. Laokoon (hisz. Flanking the scene on the right are Apollo and Artemis, who watch the grisly scene unfold. Download a digital image of this work, El Greco (Domenikos Theotokopoulos), Laocoön, c. 1610/1614, oil on canvas, Samuel H. Kress Collection, 1946.18.1. While closely associated with the spiritual zeal of the Counter-Reformation, El Greco was also a painter-philosopher fundamentally concerned with the artistic and intellectual questions surrounding the means and purpose of artistic representation. An unfinished figure consisting only of a head and leg also appears on the right. [2] El Greco's painting deliberately breaks away from the balance and harmony of Renaissance art with its strong emotional atmosphere and distorted figures. Closed. The painting depicts the Greek and Roman mythological story of the deaths of Laocoön, a Trojan priest of Poseidon, and his two sons Antiphantes and Thymbraeus. http://www.nga.gov/fcgi-bin/tinfo_f?object=33253&detail=prov, https://pl.wikipedia.org/w/index.php?title=Laokoon_(obraz_El_Greca)&oldid=56613232, Obrazy w National Gallery of Art w Waszyngtonie, licencji Creative Commons: uznanie autorstwa, na tych samych warunkach, Korzystasz z Wikipedii tylko na własną odpowiedzialność. El Greco's oil painting of Laocoön represents the influence of both classical mythology and artistry. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Who led the Argonauts in search of the Golden Fleece? Whatever the case, the story of Laocoön is the only classical theme he is known to have painted. The famous and so influential marble group of late antiquity, unearthed in 1506, portrays the priest and his sons in their futile struggle with the serpents sent to destroy them. In his haunting painting Laocoön, El Greco depicts a violent Greek myth as if it had taken place in his adopted city of Toledo, Spain. Laocoön sprawls in a strange position, unnaturally stretching out his leg in agony toward the arched, straining body of his son. Obelisk uses cookies to measure site usage, helping us understand our readers' interests and improve the site. More like the bellowing of a bull, when wounded. While classical in subject, Laocoön reflects the political, religious, and artistic transformations of post-Renaissance society. According to legend, he had profaned the temple … It is part of a collection at the National Gallery of Art in Washington, D.C.. But the god's were on the side of Greece, and the Laocoön's warning earned him and his sons a cursed death by sea-snake. Notoriously prickly and outspoken, El Greco reportedly offended influential Romans after declaring that the city’s much-beloved Michelangelo did not know how to paint. He lived and worked in his adopted home of Toledo until his death in 1614, after which his son took over the workshop. Inspiracją do jego powstania było odkrycie w Rzymie, w 1506 roku rzeźby Laokoona z I w.n.e. Ich upiornie blade ciała kontrastują z malowniczym krajobrazem. Learn more. Laocoön, in Greek legend, a seer and a priest of the god Apollo; he was the son of Agenor of Troy or, according to some, the brother of Anchises (the father of the hero Aeneas). They seized him, bound him with their mighty coils… [Source: NGA] Note by the contributor, Emily Wilkinson: In this painting El Greco depicts the famous story of Laocoön … The National Gallery of Art and Sculpture Garden are temporarily closed. Each of the figures struggles with his destiny in his own isolated way, without regard or pity for the others. 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