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You’re good to go until the end of the show. This is basically the exact same stand we just talked about with a 17lb base. Here are our reviews of the 7 best overhead mic stands: This TAMA stand is a sturdy, rugged one that can serve many needs. This is the type of stand you will definitely see in a major recording studio. The counterweight also helps to keep the boom balanced. Let’s talk about the bad now. Rather than the common way of changing the height of most stands, the MC-125 gives you a much easier quarter turn. Even though they don’t work great, there’s a slim chance that your microphones will be flying all over the place under your studio floor isn’t level. Telescopic pole with quiet clutch. When you purchase a T3C stand, you’ll need to purchase a boom arm if you so desire. The On Stage SMS7650 is a more serious version of the SB96+. It is a high quality mic stand composed of steel sheet plastic leg housing that makes it unbreakable. There is a counterweight added to keep it from tipping over when you’re using it with such extended length. If it was me and it was between the two On Stage stands, I would definitely pick the SMS7650. The base is designed to hold the weight of the stand and whatever mic you decide to attach. You may need to perform routine checks on the nuts and joints of this stand more often because some of them can get a little loose with time. While this isn’t exactly the best feature, remember that this is a very specialized drum overhead mic stand and is made extremely well. The casters are removable if you just want to keep it in once place, but I find having the casters on is very useful for keeping the studio clean when not in use. One or two legs may not be balanced; hence, the stand may wobble. The drum overhead microphone stand from K&M is a solid choice, but not for this price point. Moving on, we have the On Stage SMS7650. Another excellent feature of this stand is the 35–pound cast base. The clutch mechanism that adjusts the boom is also impressive. K&M 21021 Overhead Microphone Stand Special Features: One-piece steel boom arm design, zinc die-cast base; extra tall; longer legs, heavy-duty floor stand. Just wow. It feels like a tank when you move it. The stand spans from 49″ to 73″ tall. It’s the top of the line boom-stand! Another thing that I found quite impressive with this stand is its balance. Vibration from the floor won’t get into the overhead mic because the legs have plastic endcaps that prevent it. Legs … This article provides you the information you need on the best overhead mic stands you can get. Of course, with this mic stand, be prepared to do some work if you wish to move it around a lot. Lastly, the base has rollerblade wheels, which is good because the MC-125 is quite weighty. It’s also quite a tall mic stand; you can adjust its height to about 61 inches. I really enjoyed the change from plastic knobs. The vertical shaft can be up to 76 inches tall while the boom arm can extend as far as 79”. This ensures your microphones stay safe. For a little more, you can eliminate the sandbags. The base is not collapsible, so you’ll need some room. I once had an earlier model of this stand that I toured with and the plastic knobs broke right off inside my hardware case. Also, you may have the mic tipping over or close to that, when you attach a heavy mic at the end, especially when it is tilted downwards. 11 Best Drum Rugs. The 6 Best Tube Screamer Pedals (2020 Reviews), 6 Best Hi-Hat Stands That Won’t Let You Down. I think this one of the worst picks on our list. Featuring rollerblade-style caster wheels and super smooth movement, you’ll be able to roll this stand around your studio with ease. You can really tell that it is a quality stand, made from the highest level materials. The Cheapest Overhead Microphones for Drums. There are two reasons for this: First, almost every part of this stand is collapsible into a more portable size. Some of the earlier stands on our list feature plastic wheels that slide easily. The adjustment knobs are made from cheap plastic and feel as if they would break easily if you traveled with these stands. At the center of this whole structure lies the very firm cast grip boom tilter. It has a 7′ boom and a 7′ mass, combined to be a 14′ stand. This is the best stand on the list, by far. Triad stands utilize pro-grade clutches instead of cheap plastic knobs and thumbscrews. The Triad-Orbit system is modular. Of course, the boom could be longer than the 301/4” stated, at least to give more freedom during setup. Having the 17lb weight will really come in handy, as I like to use heavier microphones for overheads. A drum overhead mic stand is generally used in recording studios, practice spaces, and on stage. No matter which way you look at it, these are exceptional stands. I really wish this mic stand had an adjustable counterweight. This is the type of stand you will definitely … If you have ever used a camera tripod before, you’ll understand how this stand works. The MC-125 also features locking casters that really don’t move. This means that t5he mic stand has a sturdy balance while taking less floor space. The adjustable counterweight is super easy to use and is very effective when holding a heavy microphone. Holding your large condenser microphone will be no problem. Thanks for reading. As expected, there is a nice weighted base and an adjustable counterweight to keep things balanced. It doesn’t seem like a big deal, but once you use one, you’ll understand why they are so useful. The 21090 ticks all of these boxes. Let us know in the comments down below. The stand is also equipped with very quiet, ball-bearing swivel casters like you’d see on a road case. Most drum overhead mic stands offer an adjustable counterweight on the boom arm. This lever control is also used to adjust the boom length. With many options on the market, it can be hard to pick out the best drum overhead mic stand. Because the base uses four legs rather than the popular tripod, it can be an issue of the floor is not quite level horizontally. This stand is also the first on our list to feature an adjustable counterweight. You can also change its direction with this one knob. With the locks in place, the wheels stay put, but if anyone bumps into them accidentally, they will slide a bit. This is the best drum overhead mic stand for the money thus far. It is designed such that the outer perimeter carries most of the weight. This mic stand also has a unique feature called articulating legs. The lever control feature is one cool thing that I’ve noticed with this stand. The On Stage SB96+ is a surprisingly well-made drum overhead mic stand for the price. I find myself having to overcompensate on the angle to get it where I want it. Best casters on a heavy-duty microphone stand! The weighted base really helps with extending the boom arm further and the added height is a bonus. This can be quite useful for smaller live stages. Frequency Response 20 - 20000 Hz. The drum overhead mic stand also extends to a very high height of 71.5″, without a boom arm. The only other difference is that this drum overhead mic stand is not power coated. Instead of a height of 76 inches, you get a whopping 82″ boom with a steel counterweight. I should just end it here. This means that you can use it as a drum overhead, as well as a singer’s mic stand. While the boom length is stated as 32”, only 26 inches can be really used on the active side; the other 6 inches must be behind the boom tilter. Is absolutely well worth it Lake stand, this stand is also impressive pieces come with... You simply have to flip the lever control is also impressive easier quarter turn and it ’ definitely! 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