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</html>";s:4:"text";s:33773:"Mathieu Kassovitz, 1995 2020, a year which will be remembered for political infirmity, saw waves of violence towards Black communities; it saw systemic racism rear its head in the form of police brutality, as it assuredly, cyclically does. Realizing how some people only knew these places as corrupted ghettos because of the influence of the conservative media, Kassovitz thought that cinema would be the most efficient way to bring . I don’t care if he is right or not. À l'occasion de la sortie de la nouvelle saison du Bureau des légendes, on a discuté de La Haine, du tournage dingue de Babylon A.D. et des films Marvel avec. [citation needed]. Paul Risker: Just finally, you work with a company who deals in new talent in France, and I was wondering if you could tell us about any French talents that we should keep an eye out for? Now we’re talking about Government brutality, and that is everywhere. "[7] MNP Entreprise is responsible for the co-productions of a number of films including Avida (2006) in which Kassovitz acts and Babylon A.D. which he directed. You killed people, you were responsible for most of it – but we want to make people understand who you are so people can reflect and put it into perspective. Mathieu Kassovitz: It’s the same thing – it’s not about judging him, or bringing out his emotions. Paul Risker: Did you get the chance to show this to the Kanaks that you were working with? They tell us to do things that aren’t right. If you’re a journalist and you’re working for Rupert Murdoch and you’re stealing information from telephones, from victims of the war and things like that, at some point you need to look at yourself in the mirror and think, are you part of the machine? I just need to use him as eyes for the audience to feel what he felt, and so we can think about what we would have done if we were in his shoes; that was the whole idea. For me, this movie is the end of what I had to do in France and the freedom I had as a filmmaker and artist and activist. That’s the first time they have a say about who they are and they allow the rest of the world to understand who they are. Mathieu Kassovitz has grown resentful of the film that made him - 1995's lean, fierce La Haine.A story of three friends living under the spiked boot of inequality, it's continued to find an . It argues that his particular brand of popular cinema is entirely consistent with the . Geek Culture | Movies, TV, Comic Books & Video Games, Paul Risker chats with French filmmaker Mathieu Kassovitz about his latest film Rebellion…. Mathieu Kassovitz: In New Caledonia they censored the movie. And if so, how much did his point of view influence the movie? In light of all the changes rocking public libraries around the world—shrinking budgets, shuttering branches, digitization—Labrouste's temples to learning could appear like . Whether in Paris, London or elsewhere, whenever riots break out, Mathieu Kassovitz's La Haine is the go-to guide for understanding the simmering social and racial tensions that underlie urban unrest. It was a different account of the story to the official story we had heard, and then two days later because of the elections, we forgot about everything. Mathieu Kassovitz thought he was probably so smart and clever when he made the choice of making the black character rich while the white guy was poor 2. With new movies and musical jams entering movie theaters this week, it's starting to feel a lot like the holidays. Mathieu Kassovitz's bracing 1995 feature La Haine 'hate' documented the rupture between the authorities and mostly…. The Kanaks have had a love/hate relationship with that guy for the past twenty years. It’s why the machine wants to get rid of them, because it gives people another way of looking at life where you don’t have to obey the same rules. Are you sure?” But I was like, “Yes, because through his eyes we’re going to see the cruelty and absurdity of our side.” It also gives him a different perspective of what you are, and the audience is going to discover the Kanaks through his eyes, not for the Kanaks to discover us. 5* "Thank you very much for this essay. Kassovitz was born in Paris, the son of Chantal Rémy, a film editor, and Peter Kassovitz, a director and writer. Analysis of a scene in La Haine (homework) The scene I am going to analyse is the ending scene of the film La Haine (Mathieu Kassowitz, 1995). French cinema is not where it should be. 5) La Haine A2 Model Essay - Influences of director An exemplar model A2 French essay I wrote on the film La Haine about the influences of the film's director Mathieu Kassovitz. Sheila Johnston talks to the director about why his film fuelled . He is the founder of MNP Entreprise, a film production company. JOHN MAGUIRE. . I’m French so I tell French stories because that’s what I can relate to and they’re closer to me, but you see these stories everywhere. 2019 | 13+ | 1h 56m | Thriller Movies. Thu 18 Apr 2013 15.00 EDT. Movie titles, images, etc. We were the feisty little village that nobody liked and right now there is nothing to hate about us, and I’m very sad about it. Although French cinema is hardly famous . Mathieu Kassovitz: I read twenty books. Genre : Drame judiciaire. The book begins with a consideration of the origins and influences that have shaped Mathieu Kassovitz's development as a director, but also the cultural context within which he emerges as a filmmaker. "[14] In a 2012 interview, he labeled the outgoing Sarkozy administration as "horrible". However, the importance of French cultural intertexts for this film has been less appreciated. À l'occasion de la sortie de la nouvelle saison du Bureau des légendes, on a discuté de La Haine, du tournage dingue de Babylon A.D. et des films Marvel avec. It’s crazy. Echoes of Poetic Realism in Matthieu Kassovitz's La haine David Pettersen University of Pittsburgh Abstract: American mass culture and cinema exerted a decisive influence on Mathieu Kassovitz's La haine (1995). Le realisateur de la haine est Mathieu Kassovitz , c'est un réalisateur francais né en 1967 , la Haine est son deuxiéme film a succes apres Metisse Les scenaristes de la haine sont le realisateur mathieu kassovitz et l'acteur principal said taghmaoui Il y a 3 acteurs principaux dans ce film , ce sont Vincent Cassel qui joue le rôle de Vinz , Said Taghmaoui qui joue egalement son propre . But what saves him is the fact that he quit; that’s what makes it beautiful.Paul Risker: Why was now the right time to tell the story of Rebellion? La Haine follows the ups and (mostly) downs of . We had a special screening for them. Synopsis. With nuclear war looming, a military expert in underwater acoustics strives to prove things aren't as they seem -- or sound -- using only his ears. MATHIEU KASSOVITZ Date of Birth: August 3, 1967 Born in Paris to a famous director father (Peter Kassovitz) and a film editor mother, Mathieu Kassovitz followed his parents into the film world. Writer-director Mathieu Kassovitz butts European urbanity up against American street style as kids clash with cops in suburban Paris. are registered trademarks / copyright their respective rights holders. La Haine is 25 years old. So it’s not about bringing out his emotions, it’s whether I will get my personal emotions through his experience; to use him as a shell and I played it like that. Mathieu Kassovitz: When I was 18 my father gave me a copy of the book: The League of Human Rights' Report on Ouvéa.It was a different account of the story to the official story we had heard . You guys might even like us in a few years; it’s terrible. The Farels are a power couple: Jean is a prominent French pundit and his wife Claire an essayist known for her radical feminism. Paul Risker: After this and La Haine, it seems that you’re willing to be critical of France through the stories of individuals…. We soon find out that Alex's parents have recently separated, with Claire now dating a modest literature professor, Adam (Mathieu Kassovitz), whose 17-year-old daughter, Mila (the excellent . A ny doubts over Mathieu Kassovitz 's feelings towards his national film industry were cleared up . [11], In 2009, Kassovitz won with a Tesla Roadster (2008) the Rallye Monte Carlo des Véhicules à Énergie Alternative (starting event of the FIA Alternative Energies Cup) in the category reserved to electric vehicles. La haine nevertheless emerged as a work of distinct originality, appropriating its influences to tell a story at once specific and universal . As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience - and, above all, with a youth audience. Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. From Kassovitz's viewpoint, it was the political establishment that had created the disjunction and, in doing so, had split the political process away from the realities of social and cultural life. Not only that, but it was a minute-by-minute account; it was a movie. "Hate") is a 1995 French independent black-and-white drama film written, co-edited, and directed by Mathieu Kassovitz.It is commonly released under its French title "La Haine", although its U.S. VHS release was titled Hate.Starring Vincent Cassel, Hubert Koundé and Saïd Taghmaoui, the film chronicles a day and night in the lives of three friends from a . Taking its name from the phrase "La haine attire la haine!", (translation: 'hatred breeds hatred'), it is a gritty, often surreal insight into the harsh realities of life in the Paris banlieue. Kassovitz purchased the film rights for the novel Johnny Mad Dog by Congolese writer Emmanuel Dongala. We wish him well and look forward to rescheduling this event. When it premiered in 1995 at the Cannes Film Festival, this work of 28-year-old Mathieu Kassovitz, who had previously directed Cafe au lait, arrived with the subtlety and impact of a kick to the head. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience - and, above all, with a youth audience. So it’s something we can relate to which is why the character is important. Mathieu Kassovitz: Yeah of course! I was thinking, ‘I have guns, I have military, I could do some crazy scenes, but nah, it didn’t happen, so shit, they’re gonna have to talk.’ Then you have to make it interesting, and it’s a challenge because it becomes way more interesting to look for the truth than to romanticise it, or dramatise it. There are things we didn’t show, such as the torture, or the strong, graphic horror stories that happened at the time, because I didn’t want people to be mad at the French white people, because if you see that it’s too much – white people torturing black people on their own island, you know, it’s too much. Starring: François Civil, Omar Sy, Mathieu Kassovitz. He may have made the wrong one, but there was no good choice. In the . . We needed to keep the discussion open, and I made the movie uncontroversial, and to do that you need to be as close to the truth as you can. Mathieu Kassovitz: Very close! So the movie just shows where his conflicts were and what he could and couldn’t do – and that’s how I relate to the movie. He played leading roles in A Self Made Hero (1996) by Jacques Audiard and in Amen. Mathieu Kassovitz: I didn’t decide the time. It has a few comprehension exercises thereafter. In order to survive he explores a collaboration with the Russian secret service. Mathieu Kassovitz: Me, me, me, myself and I [Laughs] I don’t know, there is nobody. Up to this point this was the best version I had seen of the film on home video, until Criterion released the film on Blu-ray with a slight but . Paul Risker: Was it difficult to portray this character as neither a hero nor villain? Distributeur : Gaumont. The book examines the American influences evident in all of Kassovitz's films to date . Etes-vous d'accord? Mathieu Kassovitz: I moved to Hollywood a year ago. 637 Words 2 Pages. Mathieu Kassovitz: It clarified it. The image has been enhanced for widescreen televisions. The characters were already there, the conflict, the universal story. Quel type de procès Yvan Attal compte-t-il faire avec son nouveau film ? [9], Kassovitz is most famous outside France for his acting role as Nino Quincampoix in Jean-Pierre Jeunet's film Amélie. The result is an explosion of scathing social commentary and dynamic storytelling. But it was not really about him. It was all there. (Mathieu Kassovitz), who has made a . Mathieu Kassovitz, director of the classic French film 'La Haine,' explains his stance on sneakers and his new Reebok project. The influence of the New Wave can be felt today in everything from European arthouse to DIY skate videos. Alain Juppe set up a compulsory screening for his cabinet. [15], French actor, film director, film producer and screenwriter, 1991 Cannes Film Festival - Perspectives du Cinéma Award, Chicago International Film Festival - Best Short Film, Festival du Film de Paris - Special Jury Prize, European Film Award for European Discovery of the Year, European Film Academy People's Choice Award for Best European Film, San Sebastián International Film Festival, Valerian and the City of a Thousand Planets, "A French Director Straight Out of (Enfin) Spike Lee", France.html Presentation of the documentary A Film and Its Era: La Haine, "Kassovitz leading 'Rebellion', big-budget 'MNP, "La biographie de Mathieu Kassovitz avec Voici.fr", un-vehicule-electrique-parcourt-390-kilometres.html Nouveau record du monde: un véhicule électrique parcourt 390 kilomètres, "La haine: Kassovitz vs. Sarkozy - From the Current - The Criterion Collection", Cabourg Film Festival Award for Best Actor, Cannes Film Festival Award for Best Director, Faceted Application of Subject Terminology, https://en.wikipedia.org/w/index.php?title=Mathieu_Kassovitz&oldid=1059133709, French people of Hungarian-Jewish descent, Cannes Film Festival Award for Best Director winners, Articles with dead external links from January 2018, Articles with permanently dead external links, Articles with dead external links from December 2017, Articles with French-language sources (fr), Articles with unsourced statements from August 2015, Articles with unsourced statements from August 2021, Creative Commons Attribution-ShareAlike License, Also as director, screenwriter and editor, Also as director, screenwriter and producer, This page was last edited on 7 December 2021, at 17:21. Delving into the generational, racial, and class divides of his native France, Kassovitz offers a fearless - if unreservedly . Shot in a contrasted black and white, Max Vatblé was inspired by the 90s using as references Hate by Mathieu Kassovitz and Jay-Z's attitude in 99 Problems. While Kassovitz's thematic métissage - hybridisation - gives voice to a diverse group of people fighting for their rights, these rich and varied cultural influences on the film's soundtrack add an extra strand that helps tie these themes into a bloodstained bow - as potent and powerful a rallying cry now as it was 25 years ago. A compelling and tightly directed thriller about a team of elite counter-terrorism hostage negotiators who attempt to resolve a standoff between political separatists and the French military in the Pacific island of New Caledonia. 2 Mathieu Kassovitz - La Haine La Haine documents a day in the life of three French youths who wander across Paris in the wake of an anti-police riot. A compelling and tightly directed thriller about a team of elite counter-terrorism hostage negotiators who attempt to resolve a standoff between political separatists and the French military in the Pacific island of New Caledonia. Since Mathieu Kassovitz's debut first screened there's arguably not been another French film that has had as significant an impact. (2003) by Costa-Gavras. Last Updated: December 13, 2021. We did ten years of work to get all the information from all the sides, and because nobody had told this story and nobody knew these guys, and for it take ten years for them to all say yes and to give us the keys to their culture, if we had betrayed them with this movie they would be in trouble. Paul Risker: You based Rebellion on this report, but did you also read Philippe Legorjus’ book La morale et l’action (Morality and Action)? [12][13], Kassovitz is also known for his outspokenness, frequently making controversial comments on socio-political issues. A success at the French box office, with about 500,000 viewers in the first six weeks of its . Mathieu Kassovitz: That’s how the system is rigged and we are becoming an international reserve of people who have to obey the same rules and buy the same things. I really like the exercises at the end too." The book begins with a consideration of the origins and influences that have shaped Mathieu Kassovitz's development as a director, but also the cultural context within which he emerges as a filmmaker. Kassovitz proves he is a master of the craft with his impressive camera work in "La Haine." His technical ploys require close attention or one can be fooled as if it was a magic trick. His future project science fiction film MNP is named after Mir Space Station, whose writing in Cyrillic letters (Мир) look like the letters MNP, and also the production company. Since 2015, Kassovitz has been starring in the acclaimed espionage thriller series The Bureau, broadcast in France on Canal+ and made available around the world on Amazon TV. So for them to give us the key, it’s a great responsibility to put this movie out because the movie becomes that memory. This one is very close to La Haine, it’s the same kind of structure and I can’t push more than this. So my father gave me this book and I discovered a different aspect to the story. [5], He later directed Les Rivières Pourpres (2000), a police detective thriller starring Jean Reno and Vincent Cassel, another massive commercial success in France, and Gothika (2003), a fantasy thriller (considered by some to be a commercial failure, although it grossed over three times its roughly $40 million budget), with Halle Berry and Penélope Cruz. Many thanks to Mathieu Kassovitz for taking the time for this interview. Why do people act the way they do? It was one of the first films to posit France's projects as a "social time bomb", and its influence can be seen on filmmakers such as Ladj Ly ( Les Misérables ) and . The musical West Side Story, the only new wide release this weekend, easily took the top spot, pushing two-time box office champ Encanto to second place. It doesn't make sense that the girl would toy around with those two guys when she is PREGNANT. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Rebellion: Directed by Mathieu Kassovitz. There was no timing, but next year they’re going to start the vote for independence, so it’s good timing. Christmas With The Chosen: The Messengers. Acteurs : Ben Attal, Suzanne Jouannet, Charlotte Gainsbourg et Mathieu Kassovitz. [2] Mathieu has described himself as "not Jewish but I was brought up in a world of Jewish humor". Fear and loathing in Paris. They were filmmakers; I became a filmmaker." CHRISTMAS WITH THE CHOSEN: THE MESSENGERS Trailer, Golden Globe nominations announced: See the full list, Christmas Giveaway: Invisibobble Cinderella Sprunchie & more, West Side Story debuts at top of weekend box office. At the time, the term (a play on the red, white and blue tricolour of the French flag) had become one . Kassovitz was married to French actress Julie Mauduech, whom he directed and acted alongside in his 1993 film Métisse (Café au lait, English title) and who made a brief appearance in La Haine (during the scene in the Parisian art gallery). What they were proud of – and what I promised them – is that they will be shown as they are, and this movie really shows what they are, with their flaws and that different reality and approach to nature and life that they have, which is very interesting. All rights reserved. T o start on a personal note: I wrote a book about La haine that came out in November 2005, just as the Paris suburbs (banlieues) erupted in an unprecedented wave of violence. And Salford Falls Apart is a challenging listen at times—its soundscapes are raw and dissonant, its lyrical content sombre. The characters, the conflict, the psychology, the Shakespearian story, it’s “To be or not to be”, that’s what it is. Between the 90's hip hop inspiration and Trap music, Max Vatblé offers a dark and striking music video, which fits perfectly with Niska's character. It could trigger violence as happened with a similar farcical and discredited independence referendum in 1987, which led to the infamous Ouvea cave hostage-taking and massacre the following year as retold in the devastating Mathieu Kassovitz feature film Rebellion [l'Ordre at la morale] — banned in New Caledonia for many years. With Mathieu Kassovitz, Iabe Lapacas, Malik Zidi, Alexandre Steiger. His artistic influences, picked up after his graffiti-scrawling . Author: Will Higbee. J'étais heureux de le retrouver et surtout de le filmer. He won the award for Best Director at Cannes and Best Film at the César Awards for La Haine, when he was just 27.Headstrong and outspoken, he's criticised the French film scene and government for ignoring the obvious, which lead to a heated letter exchange with then President Nicolas Sarkozy. But in France, no, we didn’t have any help from the Government or the military, and we told them we wanted them to participate in our project just so we can bridge that gap and to get people together and tell the Kanaks – hey that helicopter was sent by the French army, and help the process of reconciliation and to find closure for this story, because it’s very difficult for people who live there, and for us as a civilisation; we need to clean our slate, like you guys in England. But then you talk to the guy, and he’s like, “Are you crazy? He has won three César Awards: Most Promising Actor for See How They Fall (1994), and Best Film and Best Editing for La Haine (1995). Biography of Mathieu Kassovitz (excerpt) Mathieu Kassovitz (born 3 August 1967 (birth time source: Paddy de Jabrun, BC) is a French director, screenwriter, producer, editor, and actor probably best known in Anglophone countries for his role as Nino Quincampoix in Amélie (Le Fabuleux Destin d'Amélie Poulain; 2001). You can judge him, but what would you have done if you were in his shoes; that’s the question.Paul Risker: What would you have done? But I have trouble finding films because they look at me and think, ‘We’d love you to do Hunger Games 3, but why would we hire you?’ It’s a fun game of cat and mouse and eventually I’ll get something. You can shed light on events, but human nature remains a mystery. That’s how they defend themselves. It’s a crazy story and that’s the strength of the machine. In light of all the changes rocking public libraries around the world—shrinking budgets, shuttering branches, digitization—Labrouste's temples to learning could appear like . I want to work with other people, because in France I am very comfortable and I can do whatever I want as an artist, so I would love to be part of an ensemble with different talents because you cannot make good movies by yourself. He had emotions, but he couldn’t afford to let them dictate his actions. Reality is so amazing that if you find something like that you just have to stick to it. Dodge College is proud to welcome director Mathieu Kassovitz to the Folino stage this Thursday evening, in conjunction with the Wilkinson College of Humanities MATHIEU KASSOVITZ There are no big scenes because they would take over, and I was very cautious when I told the Kanaks that I was going to make a movie of this story and that the hero was going to be the enemy. 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