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</html>";s:4:"text";s:15229:"The Work of Art in the Age of Mechanical Reproduction is a 1936 essay by German cultural critic Walter Benjamin that has been influential across the humanities, especially in the field art history. Despite its relative brevity, Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism. The Work of Art in the Age of Mechanical Reproduction Walter Benjamin No preview available - 2008. "The work of art in the age of mechanical reproduction." Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" When was this essay written, and in what social context? Benjamin is essentially positive about the passing of the aura, but he also fears about fascism's ability to pervert the new media and - perhaps - he has a little bit of residual nostalgia for the ritual function of art. Walter Benjamin "The Work of Art in the Age of its Mechanical Reproduction" (1936) What is reproduction? Walter Benjamin's concept of "Aura" and Authenticity in "The Work of Art in the Age of Mechanical Reproduction" "The Work of Art in the Age of Mechanical Reproduction" wasn't the first place in which Walter Benjamin introduced his famous concept of "Aure" and his related discussion on authenticity in art, but it was however in which Benjamin fully developed his discussion of the aura. Walter Benjamin The Work of Art in the Age of Mechanical Reproduction Source: Walter Benjamin, 'The Work of Art In the Age of Mechanical Reproduction', translated by Harry Zohn, in Benjamin, Illuminations, London, Jonathan Cape, 1970, pp. He argued that, art in the age of mechanical reproduction would inherently be based on the practice of politics. Comes in different modes, e.g. tions-the reproduction of artworks and the art of film-are having on art in its traditional form. The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism’s treatment of artworks as fixed, unchanging mystical objects. The essay opens with an… Walter Benjamin's major argument on why mechanical reproduction has destroyed the authority of art. Walter Benjamin The Work of Art in the Age of Mechanical Reproduction This essay will start from Walter Benjamin’s consideration about the impact of mechanical reproduction of art as revolutionizing its social function and 217-252. Hannah Arendt, ed., Harry Zohn, trans. by Hannah Arendt, 1968) In photography, … Summary of Walter Benjamin. As numerous copies of the artwork are made, the unique existence of the original piece of work is overwritten by the mass existence of its innumerable replicas. If you are curious about Walter Benjamin the German critic who committed suicide fleeing the Nazis, then this is a good place to start, collecting together three of his most iconic essays, on the impact of reproduction on art, on Kafka and on Proust. The term was used by Walter Benjamin in his influential 1936 essay The Work of Art in the Age of Mechanical Reproduction. The Work of Art in the Age of Mechanical Reproduction Walter Benjamin No preview available - 2016. Benjamin identified “aura” with singularity , in other words, an unrepeatable experience; in his own words, “in the age of the technical reproduction of the work of art, what atrophies is its aura. Walter Benjamin is best known for his essay ‘The Work of Art in the Age of Mechanical Reproduction’, (Benjamin, 1968b) in which he argues that film and other mechanical technologies are destroying the aura that had belonged to traditional art. New York: Schocken, 1969. pp. - Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction, sct. Buy The Work of Art in the Age of Mechanical Reproduction (Penguin Great Ideas) 01 by Benjamin, Walter, Underwood, J.A. When Walter Benjamin analyzed the work of art in the era of technical reproduction, he was marking how the irruption of technology was affecting the essence of originality in the field of art. Benjamin's book attempts not only at analyzing the historical process that art goes through in the age of mechanical reproduction but also to see how art can formulate "revolutionary demands" towards political reality. 1. Benjamin, Walter. After reading the essay, I almost flew out the door to find the nearest bookstore to pick up a Cliff’s Notes to help me better understand the reading. But he is perhaps still best known for his ideas on art and authenticity; challenging, as he did, the assumption that the original artwork was more valuable to society than the photographic reproduction of that artwork. In general: imitation or copying 2. Illuminations: Essays and reflections. Meet Walter Benjamin, the prolific 20th century German cultural theorist who started it all with his critical essay of 1936.Raised in Berlin between wars, Benjamin came of age during the growing embroilments of World War II. Benjamin claims that « In principle a work of art has always been reproducible » but, that « Mechanical Reproduction of a Work of Art, however, represents something new » (Benjamin, 218). Why does Benjamin choose the quotation from Paul Valery to preface his essay? How to cite “The work of art in the age of mechanical reproduction” by Walter Benjamin APA citation. III In even the most perfect reproduction, one thing is lacking: the here and now of the work of art-its unique existence in a particular place. This shadow strangely prefigures contemporary problems, with the economy once more in crisis and the far right on the rise. Without the authenticity of an original copy, there is nor origin—thus no … He shares a wordy, discursive and analytical style with Proust and writes perceptively about him. by Erik Larsen. Walter Benjamin. Keywords Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction, attention, collective distraction, mechanical reproduction, artistic diversity "Postmodernism, like Walter Benjamin's 'mechanical reproduction', seeks to dismantle the intimidating aura of high-modernist culture with a more demotic, user-friendly art, suspecting all hierarchies of value as privileged and elitist. Though it’s not exactly obvious, Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” is a fairly hopeful essay. manual reproduction and mechanical 13 (1936; repr. Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” is written in an unfamiliar manner that left me totally confused. 219-53. The context of economic crisis and rising fascism cast a long, and fatal, shadow over Walter Benjamin's world. "The Work of Art in the Age of Mechanical Reproduction" (1936) is arguably Walter Benjamin's most notable essay. The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin, 9780141036199, available at Book Depository with free delivery worldwide. Considering John Berger bases some of his philosophy of image in “Ways of Seeing” on Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” essay, I want to take a closer look at how the two differ and how they intertwine in thought. (ISBN: 9780141036199) from Amazon's Book Store. Walter Benjamin was one of the most important thinkers of the 20 th century, having published a range of works on culture and society. Walter Benjamin's 1935 essay "The Work of Art in the Age of Mechanical Reproduction" begins with the assumption that the very definition of art is flexible, varying in response to the historical conditions of its production, distribution, and reception. Specifically: a method of imitating or copying artworks 3. Simply copy it to the References page as is. His theories encompass a combination of socio-political cogency and intensely critical visual analyses. Benjamin perceives this as a devaluation of the “here and now” of the artwork by technological reproduction, which he terms as the decaying of the aura of the work of art. Man-made artifacts could always be imitated by men. The Work of Art in the Age of Mechanical Reproduction Walter Benjamin, J. This text has been edited and end- notes omitted; three foornotes have been retained. The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism’s treatment of artworks as fixed, unchanging mystical objects. William Benjamin, a Marxist, German Jew living in France, wrote the essay, A Work of Art in the Age of Mechanical Reproduction in 1935, the same year Leni Riefenstahl came out with the Nazi/Hitler movie: A Triumph of the Will.Hitler used photography and film to aestheticize politics and war very much like what Fox news does today. For Benjamin film can provoke/train the masses, and this is his answer to Adorno & Horkheimer (in some sense) about the masses being totally subsumbed by the… Walter Benjamin was one of the most original cultural critics of the twentieth century. Mechanical reproduction destroys the aura because it enables multiple copies to be created by mechanical means; this strips the artwork of its uniqueness. The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin: free audio download (podcast) from Listen to Genius | In principle a work of art has always been reproducible. Everyday low prices and free delivery on eligible orders. It is this unique existence-and nothing else-that bears the mark of the his What may have been some of the novel features of this essay in its time? Formatted according to the APA Publication Manual 7 th edition. A. Underwood No preview available - 2008. With Lithography, the technique of reproduction reached an essentially new stage, he said. Walter Benjamin The Work of Art in the Age of Its Technological Reproducibility Summary. If you need more information on APA citations check out our APA citation guide or start citing with the BibGuru APA citation generator. Introduction and Historical Information. Benjamin argued that 'even the most perfect reproduction of a work of art is lacking in one element: Its presence in time and space, its … That’s the year Walter Benjamin published “The Work of Art in the Age of Mechanical Reproduction. The concept of ‘aura’ arises as being of special significance in ‘The Work of Art in the Age of Mechanical Reproduction’ as a way of understanding the change that occurs to art when mass reproduction becomes both technologically possible and industrially realised. ” I prefer the more literal translation of its title: “The Work of Art in the Age of Its Mechanical Reproducibility,” implying that art does not merely accompany mechanical reproduction but it is, in many ways, superseded and changed by mechanical reproduction. in Illuminations, ed. In particular, I would like to look at Benjamin… The aura because it enables multiple copies to be created by mechanical means this! May have been retained having on Art in the Age of mechanical ''... 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