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</html>";s:4:"text";s:38728:"© Antonia Hirsch. Marika Dermineur and Stéphane Degoutin, Google House, 2003-ongoing. W 1047cm x H 511cm x D 11.5cm. Digital installation, Geolocation app, smartphone. You Saw Me? Arnold Koroshegyi, Rupture, 2009. Thomas Kneubühler, Private Property, 2006. Miniature surveillance camera, video projector. Germaine Koh Forman received his BA in 1995 from Vassar College and his MFA in 2002 from the Tisch School of Arts. Timed performance. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. David Rokeby, Gathering, 2004. Yet only the viewer and the current participant are experiencing direct, personal contact. The Logic of Control. VUB Home. C-prints. Paglen’s video installation, in a darkened room at the Metro Pictures gallery. Michael A. Robinson, Subject to Scrutiny, 2013. The title of the piece, Google, acknowledges the ways in which the search engines watch and record user data for ambiguous reasons. You can see some of the Conspiracy Case surveillance videos on Janzen’s vimeo site at https://vimeo.com/58598922.Website:http://www.edwinjanzen.com It also begs the question of who has access to this personal data and how this information might be used? Jan 21, 2018 - A look inside, surveillance art exhibition, Bruxelles 2013. Elsewhere in art, check out the sprawling Field of Flags installation at the National Mall for the U.S. presidential election . More video works by Ricarda McDonald are available at https://vimeo.com/ricardamcdonald. You can access video of the piece at https://vimeo.com/36306074. So too, Giasson’s VOX questions what aspects of a surveilled moment gets lost within its capture; the flat form of the spoken-to-written word offers no context, tones, colour, or character that comes with lived experience. © Pierre Tremblay. 4.3 out of 5 stars 6 ratings. GoogleArtwork | Jennifer Marman and Daniel Borins, 2010 The wave seems to have grown larger in the wake of the leaks from NSA whistleblower Edward Snowden, and this is fortunate. This installation by Kemp was created as part of the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control” at the Agnes Etherington Art Centre in Kingston, ON. Interactive online installation. ArtistDatabase works: Clouard, Eva. // Hirsch, Antonia. Installation, mirrored acrylic domes. His art has been exhibited throughout North America.Website:http://www.arnoldkoroshegyi.com/ All ArtistDatabase works: Janzen, Edwin. Surveillance art is the use of technology intended to record human behavior in a way that offers commentary on the process of surveillance or the technology used to surveil. Arnold Koroshegyi, Rupture, 2008. Dave Kemp, Data Collection, 2009. Digital video projection installation on a 4 minute loop. Drawing upon multidisciplinary praxis in his sculptural installations, he, in his own words, “examines the creative gesture, its conditions of emergence, and the position of the artist in face of art world conventions.” Robinson has exhibited throughout Canada and France, and his work is included in numerous permanent collections, including the Museé d'art contemporarin de Montréal, the Musée nationale des beaux-arts du Québec, and the Canada Council Art Bank.Website:http://www.michaelarobinson.org/ Artwork | Kathleen Ritter, 2008.Pigment inket print | In multiple exhibitions, including “Wide Open,” Robert McLaughlin Gallery, Hamilton, ON, 2008, and “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON, 2009.This project offers a photograph of a hidden camera device and microphone used by Ritter to record a number of her performance pieces that documented different public sites, including grocery stores and airports. © Germaine Koh and Ian Verchere. Commissioned by the Art Gallery of Hamilton. © Eva Clouard. Art vs Reality, episode 1 gives us a simple break down of why art galleries exist. Image courtesy of the artist. © Michael A. Robinson. Edwin Janzen, Conspiracy Case, 2012. Image courtesy of the artist. Artwork | Arnold Koroshegyi, 2008.6-minute looped DVD video | In the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON.Rupture is a video piece that juxtaposes the blurring of both photographic images and wireless technologies. The tradition of all dead generations weighs like a nightmare on the brains of the living. Image courtesy of the artist. Donna Szoke and Ricarda McDonald, And all watched over by machines of loving grace, 2012. Germaine KohArtist ©Melanie Lowe. Kathleen Ritter, Interloper, 2005. You Saw Me?, 2008. In this artwork, technology and the human body are placed in opposition to one another. © Donna Szoke and Ricarda McDonald. Exhibition | 2015Final exhibition in a three part series | Art Gallery of Windsor, Windsor, ON.This exhibition was organized by and mounted at the Art Gallery of Windsor from 31 January to 10 May 2015. Image courtesy of the artist. You can find more information about Marika Dermineur on her website, http://marika.incident.net/. Computer, LCD screen, camera and projection. The image is densely social, deeply layered and chaotic. Timed performance. Private Property Revered street artist Al Stark (no relation) accomplishes this ambition in his new eye-catching exhibition No Place To Hide. Image courtesy of the artist. Originally from Solothurn, Switzerland, Kneubühler currently lives and works in Montreal, where he completed his MFA at Concordia University in 2003. Tom Sherman, SUB/EXTROS (1), SUB/EXTROS (2), SUB/EXTROS (3), 2001, DVD. The artist invites one audience member (the viewer) to strap on a micro-camera to their forehead and stare into the eyes of each audience member (the viewed) for one minute intervals while TV monitors behind the viewer capture their viewpoint. Each of these images are then sequenced by colour and placed within a larger composite image projected within the Institute. I’ve read Orwell too many times, not to mention that recent article in the Atlantic about China’s dystopian move toward complete state surveillance. and all are watched over by machines of loving grace Transparency Report The images of the security personnel portraits frame the guards within these empty, often lonely, spaces as the sole human presence, and highlight the presence of those who are often unseen behind the camera. Image courtesy of the artist. Two artists, Brian House and Kyle McDonald, even created an eavesdropping device that looks like a light bulb or lamp, and after infiltrating them into public places like a restaurant, bank lobby and library, they tweeted snippets of overheard conversations; the project is called “Conversnitch.”, Fair game? Steve Giasson, Performance invisible No. Jason Kuhrt’s Sousveillance Project is an interactive installation that allows strangers from all over the world to upload comments, messages, and quick texts from their mobile devices onto a database. © Jennifer Marman and Daniel Borins. Various locations. Born in Germany, Michael A. Robinson currently lives in Montreal, where he is an artist and educator in visual and media arts at l’Université du Québec à Montréal. Artists © Steve Giasson. Originally mounted in July and August 2012 at the Station House Gallery in Williams Lake BC, this project involved Janzen creating his own satirical law enforcement agency to investigate and surveil the activities of local burrowing animals, such as ground squirrels and marmots. Ian Verchere is a Vancouver-based writer and creative director who has produced best-selling video games for Electronic Arts, MTV, and his own company Roadhouse Interactive. Photograph by Guy L'Heureux. Pressure Monoprint on Rives BFK, 30" x 22." Installation view. Image courtesy of the artist. 2008 and 2009 versions. Artwork | Jason Kuhrt, 2010-ongoing.Interactive media | Online. © Thomas Kneubühler. © Antonia Hirsch. Machine for Taking Time, 2001. Machine For Taking Time Jennifer Marman and Daniel Borins, Google, 2010. Artwork | Germaine Koh with Ian Verchere, 2008 and 2009 versionsElectronics and custom software | Various exhibitions, including the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON, 2009Created by Koh in collaboration with Ian Verchere, Broken Arrow uses sensing hardwares to track and trace blue-tooth technologies within a particular radius of the piece. Video installation. Ian Verchere Taken GatheringArtwork | David Rokeby, 2004. © Eric Forman. The works in the exhibition deal with themes ranging from technologies used by government and regulatory agencies to everyday surveillance practices that have become integral parts of our lives, especially in social media. The Visible SpectrumArtwork | David Spriggs, 2015. He has exhibited widely, both nationally and internationally, and his works are held in numerous collections.Website:you see more of his work at Nunavut Lights website, http://nunavutlights.com/ McQuillen addresses how security procedures, such as body scans, can often yield misleading results and leave innocent citizens feeling as through they are being treated like suspects. Toronto, ON. Variable dimensions CARE NOT CAGES: Processing a Pandemic. You can’t throw a rock these days without hitting a surveillance art project, and the remarkable thing is that so much of it is so good. For instance, artist Heather Dewey-Hagborg has collected DNA samples from cigarette butts, chewing gum and stray hair, and has used these to create portraits of whomever the DNA belongs to. In multiple exhibitions, including “Early Delights/Deep Gardening,” curated by Su Ditta, Oakville Galleries, Oakville, ON. Through the artist’s positioning of the sheets in a semi-circular manner they come together to create the form of, and refer to, the well known surveillance apparatus – the Panopticon.”Website:http://www.davidspriggs.com 2016. Image courtesy of artist. New media database projection. Video installation. Photograph by Colin Griffiths. Guests are allowed to come in and view the artwork at their leisure. Interloper, 2005. Rupture 2015. © Thomas Kneubühler. Image courtesy of the artist. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Edwin Janzen, New Masters, 2015. ArtistDatabase works: Dermineur, Marika and Stéphane Degoutin. Interactive video installation involving computer, software, large monitors and a sensor. She has received numerous research awards and grants for her work, including SSHRC, BCAC, OAC and Canada Council for the Arts.
Image courtesy of the artist. Pierre TremblayArtist Digital video projection installation on a 4 minute loop.Born in Manchester, England, David Spriggs currently lives and works as a large-scale installation artist in Montreal. Raleigh, North Carolina Consultant at Workplace Options Fine Art Education North Carolina State University 2009 — 2012 Bachelor of Arts (B.A. The participants are anonymous and anyone can view the comments that contribute to the ongoing conversations around a variety of themes. © Jennifer Marman and Daniel Borins. As Elahi has explained, in 2002 he was stopped at the Detroit airport because his name appeared on a terrorism watchlist, and he was subsequently interrogated by FBI agents. John Watt, Scannex Man, 1981, DVD. David Spriggs, Installation view from PRISM (including The Logic of Control, Transparency Report, and The Visible Spectrum), 2015. Artwork | Michael A. Robinson, 2013.Camcorders, cameras, tripods | Exhibited as part of the “Art Souterrain” Festival in Montreal (2015)Subject to Scrutiny, by Montreal-based artist Michael A. Robinson, is an installation sculpture constructed of over 100 cameras on tripods. The Museum provides FREE classroom lessons, resources, and activities that support traditional curriculum. Data Collection, 2009. Jennifer Marman and Daniel Borins, Google, 2010. According to Rokeby, “The result is that every action that has taken place in the gallery since the computer was turned on occurs together on the screen, repeating every 20 seconds. Border Cultures: Part Three (security, surveillance) Electronic surveillance in art. © Melanie Lowe. Interactive online installation. You Saw Me?Artwork | Melanie Lowe, 2008. © Edwin Janzen. Artwork | David Spriggs, 2014.Layered engraved glass sheets in half column display case | Exhibited in Sprigg's solo show PRISM at Arsenal MontrealIn Logic of Control, artist David Spriggs explores the architectural and conceptual design of the Panopticon in order to question the politics of seeing and being seen, and the structures of power that govern them. 24 septembre 2015. ©Kathleen Ritter. Arnold KoroshegyiArtist // Spriggs, David. Surveillance Art & Photography examines the complexities of modern surveillance with a focus on photography and visual media. © Antonia Hirsch. Photograph by Rachel Topham, Vancouver Art Gallery. Thomas Kneubühler, Private Property, 2006. Sorting Daemon, 2003. 122 x 91.5 cm. This piece is a site-specific work that Rokeby recreated in several different locations. Various exhibitions, including the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON, 2009. Endure sensory deprivation, surrender to surveillance cameras, and snap scarily close-up photos of your retina at these six participatory art exhibits, where … Home-Part-2 By using an easily downloadable GPS app on her phone, Clouard’s project generates questions about how much of our daily lives, from are physical location to our private conversations, can be tracked through our personal electronic devices such as cell phones? Surveillance as Art! Art, Surveillance, and Privacy, is an exhibition of visual art, public art, film, performance, interactivity, public discussions, and spoken word, exploring the prevalence of surveillance and its impact on the way we lead our lives. Performance/installation (photographs, looped videos, drawings, office furnishings, TV sets). © Steve Giasson. The Visible Spectrum. RuptureArtwork | Arnold Koroshegyi, 2008. Eva Clouard More video works by Ricarda McDonald are available at https://vimeo.com/ricardamcdonald. In particular, the work explores the ways in which the personal self is constructed through the public performance of posting thoughts, events, and photos to a network of people. W 4.5m x H13.7m x D .5m. Dave Kemp, Data Collection, 2009. Germaine Koh with Ian Verchere, Broken Arrow, 2009. These individual head shots are collected as a set of the last 200 visitors and presented as a matrix of 100 or occasionally all 200 shots, moving in slow motion. you can see some of her work on vimeo, https://vimeo.com/ricardamcdonald. Image courtesy of the artist. This piece is part of a larger collaborative project entitled Nunavut Lights that explores representations and visualizations of the photographic archive. Surveillance Art Exhibition A LOOK INSIDE. Image courtesy of the artist. Their heads are zoomed in on, and adjectives are attributed to them (i.e. 29: To spy on someone or something from one’s window addressing the performative gesture of seeing and being seen within the space of the city. Joining is simple and doesn’t need to cost a lot: You can become a sustaining member for as little as $3 or $5 a month. Artwork | David Rokeby, 2004.Video installation | Commissioned by the Art Gallery of Hamilton, Hamilton, ON for the São Paulo Bienal.Commissioned by the Art Gallery of Hamilton, Gathering captures images of people outside the gallery space. Double Blind The video animation utilizes layering methods present in Sprigg’s other works, and scans the length of the truck to pay attention to each of the different figures. The Visible Spectrum Interactive online installation. Germaine Koh and Ian Verchere, Broken Arrow, version 2, 2009, electronics and custom software. Vinyl cut-outs, installation on staircases.Originally from Winnipeg, Edwin Janzen currently resides in Montreal, Quebec where he works as a digital media and installation artist. How many covert wars, miscarriages of justice, and dystopian technologies would remain hidden if our reporters weren’t on the beat? 122 x 91.5 cm. ArtistDatabase work: Forman, Eric. Surveillance Art & Photography examines the complexities of modern surveillance with a focus on photography and visual media. New media database projection. Image courtesy of the artist. Image courtesy of the artist. Some Will Take More Prodding, Others Will Be More Difficult, 2008. Donna Szoke and Ricarda McDonald, And all watched over by machines of loving grace, 2012. His work has been exhibited widely, both nationally and internationally, and in prominent festivals including the Liverpool Biennial 2012, and the Text Festival 2011 and 2014 (Manchester). Kimmirut, Baffin Island, Canada. The composition is such that the cameras are set to capture every angle and space within the gallery. Video installation. Variable dimensions. 29 (Épier quelqu’un ou quelque chose de sa fenêtre), 2015-2016. Kate McQuillenArtist W 4.5m x H13.7m x D .5m. Inside the gallery space, the resulting composite images are displayed on a circle of 8 video projections. Artwork | Donna Szoke and Ricarda McDonald, 2012.Interactive video installation involving computer, software, large monitors and a sensor | Various locationsAnd all watched over by machines of loving grace plays with the expectations of bodies, looking, and technology. Price: $78.99 & FREE Shipping. Image courtesy of the artist. Eric Lander, Biden’s pick for top science adviser, co-authored a damning report on the faulty forensic practices behind hundreds of wrongful convictions. Digital video projection installation on a 4 minute loop. 4-channel video installation with sound, 100 performance scripts, photographs, map, map pins, cork board. Over the course of a year, Ritter tracked her movements and behaviours in spaces designed for public use. W 4.5m x H13.7m x D .5m. El Paso Museum of Art. Jennifer Marman and Daniel Borins, Google, 2010. © Michael A. Robinson. on about your day, ask yourself: How likely is it that the story you just read would have been produced by a different news outlet if The Intercept hadn’t done it? The exhibition explores a number of the workshop’s central themes, such as the intersections between surveillance and social networking, identity and anonymity, and monitoring techniques. ArtistDatabase works: Marman, Jennifer and Daniel Borins. Installation. Some Will Take More Prodding, Others Will Be More DifficultArtwork | Michael Lewis, 2008. ArtistDatabase work: Szoke, Donna and Ricarda McDonald, And all watched over by machines of loving grace, 2012. Edwin Janzen, Conspiracy Case, 2012. Image courtesy of the artist. © Michael Lewis Edwin Janzen Image courtesy of the artists. Born in Bangladesh and raised in the United States, Elahi, an art professor at the University of Maryland, chose an unusual response to clear his name and make a statement—he began a self-surveillance project in which he took pictures of nearly everything he did and sent them to the FBI. Donna SzokeArtist Performeuse: Alegria Gobeil. They are playful, invasive and eerie, and best of all they are graphically visual. Computer, LCD screen, camera and projection | Goethe Institut, Toronto, ON. Engravings on 9 sheets of tempered glass layered and spaced in transparent plexi-glass display units. To further draw out these parallels, a video in an adjacent area plays a continuous loop of an extreme close-up of an eye that blinks in slow motion. Some of the Snowden era’s sharpest interrogations of collect-it-all tracking by corporations and the government are to be found in galleries and other art spaces. Gideon Mendel, from his 2014 series "Drowning World," part of the upcoming exhibition, "The World to Come: Art in the Age of the Anthropocene" at DePaul Art Museum. The installation features a television monitor that shows a map of the streets of Montreal with the artist’s whereabouts tracked in real time. As its title suggests, this artwork highlights time not simply as an unfolding of chronological events or images, but rather, as a reconstruction of moments, memories, and illusions. Broken Arrow. In this work sheets of etched glass create a half-column by fanning out from a central pivot point. After 9/11, the NYPD established a secret “Demographics Unit” that mapped Muslim neighborhoods, dispatching plainclothes officers to collect photographs and information about Muslim businesses and gathering places. In this article: art, data, espionage, exhibit, exhibition, spying, surveillance All products recommended by Engadget are selected by our editorial team, independent of … Kathleen Ritter W 4.5m x H13.7m x D .5m | Vancouver Community CollegeDouble Blind is a sculptural installation situated in the atrium of the new Vancouver Community College’s Broadway Campus building. Website:You can find more information about Donna Szoke on her website, http://donnaszoke.com/. Ricarda McDonald Edwin JanzenArtist The program was revealed in a 2011 news story by the Associated Press that also published the NYPD’s surveillance photos and notes. Brenda Goldstein, Panopticon, 2003, DVD. Variable dimensions. Image courtesy of the artist. He’s taken about 70,000 pictures of the buildings he’s visited, the beds he’s slept in, the food he’s eaten, the toilets he’s used, the roads he’s travelled on, and he’s also published receipts for the things he’s bought; he even tracks his location using GPS. Pigment inkjet print. He’s the curator of Surveillance Signal, the latest art exhibition at the Satellite Project Space that opens this Thursday. David Rokeby, Gathering, 2004. Meta Incognita, 2010. © Dave Kemp. In "Shutters," an exhibition opening in UB Art Gallery today and running through Nov. 23, artists like Niels Bonde from Copenhagen address the concept of contemporary surveillance in their art often by simultaneously placing the viewer in the role of watching while being watched. Photo documentation by Stephen DeSantis. David RokebyArtist Mixed media. ArtistDatabase works: Koh, Germaine with Ian Verchere. © Antonia Hirsch. Much of her creative practice is dedicated to reappropriating and subverting objects of common use, to new and surprising ends. VOX. Miniature surveillance camera, video projector. STUDIO GALLERY. Pressure Monoprint on Rives BFK, 30" x 22." Installation. Kate McQuillen, Boxcutter III from The X-rays Series, 2013. Subject to ScrutinyArtwork | Michael A. Robinson, 2013. Online. She is a member of the experimental group Incident.net, which is based in France, Canada, Senegal, and the Internet since its formation in 1994 (http://incident.net/). Digital installation, Geolocation app, smartphone. Her art practice often addresses the broad intersections of visibility with systems of power and technology. Consider what the world of media would look like without The Intercept. In the piece, Tremblay selects a variety of representations of the landscape captured automatically by the webcam, then recontextualizes them into a video cycle that gives motion and movement to the weather cycles of the images. In the artist’s own words: “The animation presents a reimagined vision of a semi-truck and trailer under X-ray in a way that is not possible with the existing technology that only provides very low-quality imagery on a single plane. The Intercept is an independent nonprofit news outlet. According to Szoke and MacDonald, the installation “emphasizes the human element of surveillance—a blink—that implies an inherent failure compared to machine surveillance.” The artists take the title of the piece from a 1967 Richard Brautigan poem, which articulates a vision of a loving and caring gaze of humanity, as a critique of the current state of surveillance that the artists see as being centrally concerned with crime and consumerism. By clicking on a wall, viewers are invited to have a closer, more intimate look at the image. New Masters. Cheryl Sourkes, Cam Cities, Virtual Toronto, 2001, inkjet on unstretched exterior vinyl banner, steel bar. and all are watched over by machines of loving graceArtwork | Donna Szoke and Ricarda McDonald, 2012. © Donna Szoke and Ricarda McDonald. Image courtesy of the artist. To expand my discussion from my online exhibition, in this final essay, I am going to investigate different surveillance arts and how those arts reflect the society we are living in. Who would hold party elites accountable to the values they proclaim to have? // Rokeby, David. © Thomas Kneubühler. © Eric Forman. Photo documentation by Stephen DeSantis.Kate McQuillen lives and works in Chicago. Painting. The Logic of Control Eric FormanArtist Google, 2010. Marika Dermineur and Stéphane Degoutin, Google House, 2003-ongoing. Artwork | Dave Kemp, 2009. In multiple exhibitions. You are here. Sousveillance Project Image courtesy of the artist. Melanie Lowe, You Saw Me?, 2008. Image courtesy of the artists. Tang Contemporary Art is proud to announce the opening of Yang Zhenzhong's solo exhibition Surveillance and Panorama on 1 September 2018, in the first space of Beijing. Variable dimensions. It’s an aggressive act — appropriating someone’s genetic property to show the ease with which our identities can be constructed and exposed. With this work, Hirsch questions the relationship of visuality and surveillance, public safety and control by organizing the familiar form of the domed mirror—common security devices—in an unfamiliar way. The onset and fade of self-consciousness is broadcasted for all to see. Pervasive surveillance is oddly paralyzing—it is the digital equivalent of the aphorism about genocide, “The death of one man is a tragedy and the death of a million is a statistic.” The more we learn of its vast scope, the more we seem dulled to it. Ian Verchere is a Vancouver-based writer and creative director who has produced best-selling video games for Electronic Arts, MTV, and his own company Roadhouse Interactive.Website:see the work at http://germainekoh.com/ It is the desire for acknowledgment through communication to one’s friends and functions as a fleeting representation of the self in a moment of time.” In this way, Lowe recontextualizes and publicizes users “status updates” in order to challenge the ideas of privacy and sharing of personal information.Website:http://melanielowe.tumblr.com/ C-prints. Image courtesy of the artists. As such, the piece also asks what is lost in the translation toward the surveillance form.Website:http://www.stevegiasson.com Image courtesy of the artist. ART@Berlin: Exhibition Watched! This side is analytical and highly ordered and rather threatening.”Website:http://www.davidrokeby.com/ More information on this latter piece can be found on the foundation’s website, http://www.fondation-langlois.org/e-art/e/machine-for-taking-time.html.Website:http://www.davidrokeby.com/ 6-minute looped DVD video. NEW YORK, NY.- Abrons Arts Center presents "Christopher Gregory-Rivera: Las Carpetas" -- a new exhibition that examines the bureaucratic residue of a 40-year-long secret surveillance program by the Puerto Rican Police Department and the FBI that aimed to destroy the Puerto Rican Independence Movement. It gets interesting when he begins the break down the art galleries purpose in today’s culture. On Spriggs’ website, he describes how the series addresses issues of surveillance: “Transparency is undoubtedly a tool for control; it is rarely consensual and is most often imposed.” Using transparency as both a conceptual gesture and creative technique, the four representations that compose Spriggs’ Transparency Report forces gallery visitors to question boarder issues of visibility, access, and control, and how transparency is central to the overwhelming dominance of institutional power in and over our lives.Website:http://www.davidspriggs.com Digital installation, Geolocation app, smartphone. Image courtesy of the artists. There’s a freshness to each one, and the list lengthens every day. Image courtesy of the artist. Visual Arts Center exhibits are always FREE to explore and feature original works of art created by local artists. 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